About Lucien

I am a writer. I am a dreamer. Humanity may be its own worst enemy, but I believe in something better. Maybe I am naive. Maybe I am delusional. Maybe Carlin was right, and we are just playing out the string. But I believe that something greater is still within our grasp. And it is for that that I am working to make this world a better place, even if all I will ever be able to do is spit in the wind.

Your Rage-Bait is So Painfully Obvious (A response to VG24/7)

I’ve talked at length about the fact that journalism at this point is a tired old whore who will tell you whatever she thinks you need to hear in order to pay her for services.  In the online sphere, that means whatever gets peoples click fingers going.  And games journalism is basically the king of whoring out whatever for those clicks.  All the clicks are needed.  Sure, it means their integrity basically doesn’t exist, but it functions, so there’s that.  Now it seems that they’re stepping up their game in order to get the clicks coming even faster.  After all, article after article has come out demonizing gamers and those who are critical of gaming and they get attention.  Which means more clicks.

Which brings us to an article saying that game developers need to stop listening to fans.  An article whose goal is so clear – rage-baiting.  They want to get people’s rage going, which will get responses, which in turn will get clicks.  It’s not even subtle what they’re doing.  But, this topic is stupid enough for me to take the time to really go into it.  Here’s a link to the article, now let’s talk about it.

Don’t get mad, there’s a bit of hyperbole in that headline

Pathetic attempt to take shots at themselves for their deliberate choice make a title that is rage-bait.  Please.  You knew what you were doing, and it worked.  People are talking about it.  I’m talking about it.  But I’m not gonna take the bait.  I’m actually gonna respond to the stupidity on display in a constructive way.

BioWare has a lot to answer for, basically. Mass Effect 3 feels like ground zero for toxic fan entitlement. I’m sure the developer was just trying to do the right thing, but it changed the ending of its game due to negative feedback, bending its creative vision to pander to the baying masses.

You know, this point might have SOME level of a decent argument if it weren’t for the fact that stuff came out about the ending to Mass Effect 3.  See, EA was pressuring Bioware HARD to get the game out in 2012.  A console generation was coming to an end and they didn’t want to have to compete.  Not to mention that the time frame they were aiming for put them ahead of the competition.  As such, Bioware had the ending written by one guy and they accepted the first draft as the final one.  For a studio who had had teams of writers working on all the parts of the game to mesh everything with player choice, it strikes me as a little odd that you’re defending a game that had a bad ending that Bioware knew was bad.

This wasn’t people making them compromise their vision that they thought out and truly believed was the best.  It was EA doing what EA does and forcing Bioware to compromise their vision, which in turn had them redo the ending to try and save face.  Granted, I hate the revision, but at the very lease I see where it’s coming from.  Your point would be better if Neil Druckmann took out India lesbian from the sequel to The Last of Us: Part II because of all the conservatives railing about it.  And this isn’t even the end of the false-equivalence.

Things are often cut or changed. Some things don’t work. Some things work better than expected and are expanded upon. Nobody wants to release a bad game. Nobody wants the ending of their critically-acclaimed sci-fi trilogy to be ill-received.

Well, Bioware made a really bad decision in letting themselves get bought out by EA.  Game companies make bad decisions all the time.  But EA put their boot down and Bioware was stuck.  I have some level of sympathy for what happened to Mass Effect 3.  Since every other part was so carefully crated to accommodate all the decisions the player made, can you not see why people would be so upset that the ending totally throws everything in the trash?  I can’t be the only one who notices this.

Part of the issue here is how our industry feeds into this entitlement. Whether it’s PlayStation saying it’s “for the players” or it’s Xbox head Phil Spencer saying stuff like, “Games and gamers together now have the sheer magnitude to be a significant unifying force for the world,” whatever that means, our industry goes out of its way to say the customer is always right.

Um…are the basics of supply and demand just an illusion to you?  The customer is always right.  If you want to have an industry thrive where the goal is entertainment, then you have to entertain.  It’s pretty simple.  You entertain the masses and they buy your product.  If you start giving them sub-standard products, they won’t buy them anymore.  One of the products that gaming sells is narratives.  So if you have a product built on narrative quality with understandable narrative rules that the universe you created follows, and you finish the series by basically shitting on the rules and making it so that the cornerstone of your franchise – player choice – is thrown out the airlock, what makes you think that critical feedback will be positive?

This wasn’t a case of fans not getting some deeper meaning.  We know now that Bioware was in a corner so they just threw something together at the last minute.  Makes me wonder what could have happened if Bioware had been given the time and the game would have come out in 2013.

Metal Gear Solid 4 – the worst game in the series – was a game for the fans. People hated Metal Gear Solid 2 at launch because it forced you to play as floppy-haired newcomer, Raiden, instead of Solid Snake. Metal Gear Solid 4 put players back in Snake’s sneaking boots, but the game was basically an extended bit of fan service.

Dude, that wasn’t the fans’ fault.  It was Konami’s.  Are you just completely unaware of the ugly relationship between Kojima and Konami?  It destroyed his last project.  Konami wanted MGS4.  Kojima never wanted to make a sequel after 1.  His being forced to do so was consistently the studio he was tied with forcing his hand.  It’s why he’s cut loose so hard for his next project, to make it something so radically different.  That game was Kojima just putting something out there to please his benefactors, they wanted it to just be fan service, the video game.

Elsewhere in the Bad Place, some gamers actually petitioned Obama to get DmC pulled from shelves because they wanted a traditional Capcom sequel and not the Ninja Theory reimagining: “Dear Mr. Obama: As a consumer to the Video Game Industry there is one Video Game that has caused a lot of controversy over the past few month’s,” the petition said, grammatical errors and all. “The name of the game is DmC: Devil May Cry made by Ninja Theory and Capcom.

Yeah, there is the cringe-y shit like that.  But there are also petitions to get rid of Rotten Tomatoes for shitting on DC movies.  You know, because they have almost-universally sucked.  Two good movies in an ocean of shit.  That’s impressively bad.  This shit is everywhere.  You notice, it didn’t work.  The game was still published like always.  It’s just that a sequel was never made because the company who owned the IP decided to take it back and Ninja Theory has gone indie because they didn’t want to deal with publishers.  What’s your point?

Then there’s Mass Effect: Andromeda, a game taken down by gifs. Development focus was on creating worlds and learning how to use an entirely new engine that isn’t well-suited to RPG development. As such, the facial animations suffered and people took the piss in gifs. Back in the day, it was a given that RPGs didn’t look as nice as other games because of the scope. Nowadays, everything looks nice because developers want their games to look good in screens, rather than communicate what makes the games special. BioWare’s next game, Anthem, looked incredible, at the expense of everything else. It appeared to be a direct reaction to that negative feedback – those viral gifs of goofy character expressions.

There is a LOT to unpack here.  Mass Effect: Andromeda was not destroyed because of the bad facial animations and the gliches.  It was destroyed partially by that, but more because the story was poorly written.  The characters were terrible.  The voice acting was bad.  There were political messages blatantly shoved in there just for fan outrage because Bioware does that now.  It’s weird.  It was a bad game.  There were stories about that too that you could easily have found if you knew what research is.  But you don’t.  You just find the biggest click-bait articles and parrot their talking points.

The development team behind that game couldn’t make the engine work for what they wanted to do.  There was no set path for the game months before it came out!  Months of work and people didn’t know what the fuck they were making.  A problem which, by the way, Anthem suffered from.  That game had no clear vision for what it was trying to be.  That big, beautiful demo released at E3 a couple years ago was made from whole-cloth and reflected NOTHING of the final product.  The game was a victim of false-advertising and EA’s bullshit.

Why is this guy so incapable of knowing the context of ANYTHING?  It’s bizarre.  Oh right, this is all click-bait.  It’s rage-bait.  It’s meant to get people riled up.  I forgot for a bit there.

Look at any online game community and there’s always someone complaining about how their character isn’t strong enough, or how the character who can counter their hero is too strong. There will be dozens of posts about how their favourite weapon doesn’t do enough damage, or how another weapon is OP. There will also be another player somewhere typing out the exact opposite.

Wait, what?  How is people bitching about a narrative in a game equivalent to a game having balancing issues?  That isn’t a creative freedom issue.  It’s a gameplay one.  And if your goal is to have a game be marketable online to masses, you have to balance it.  Otherwise, it isn’t fair to other players.  How does this tie in at ALL to your points made above?  Narrative creative freedom is one thing, but this is basic game design stuff.  Companies need feedback fro stuff like this.  Otherwise the game will suffer for it.

There’s a quote that’s often attributed to Henry Ford around the dawn of commercial motor vehicles: “If I had asked people what they wanted, they would have said faster horses.” People are generally afraid of change. New ideas always get a bit of pushback – it makes me worry whether this environment of fan feedback development is holding back triple-A game development from reaching its true potential.

What true potential?  You haven’t defined anything.  You’ve just taken talking points that other articles have had and put them in your article, and act like your point has been made for you.  Generally, gamers like change.  We want games to be new and unique.  New IPs instead of the same old games made over and over again.  It’s why Indie titles get lots of attention now.  It’s why you have AAA developers working for Sony pushing narrative boundaries.  Because people are saying we want something good.  And generally they are.  Sony especially has a pedigree of quality to their work in the last few years that is really refreshing.  Games that push narrative boundaries, but never to the point where you break them.  Push as far as you can, then let the dust settle from the outrage communities and see what happens.

See, plenty of people were noisy about the lesbian relationship in Neil Druckmann’s latest project.  Hell, the social justice crowd came out against it because it’s almost a guarantee that India lesbian is dead by the time we get to where the gameplay portion of the demo at last year’s E3 picks up.  But they will still play this game because the first entry was amazing and the gameplay in this one looks slick as fuck.

Making a product for the masses means you have to take a measured approach if you’re gonna push boundaries.  Push them too far, and you drive people away.  That’s how it is with ALL entertainment.  Movies, TV shows, anime, whatever.  It all has the same rule – do new things, but don’t make new things a total aside.  You expand things over time.  Fan feedback isn’t killing that.  But since the writer of this article was just trolling for clicks anyway, it isn’t like he cares.

Until next time, a quote,

“People tend to blame the news for spreading all this fear.  As if there’s no market for it.” – Doug Stanhope

Peace out,

Maverick

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Summer Again (Prologue)

Some person or other said that you don’t know who you are until you’re pushed to your breaking point.  I think it was someone like Winston Churchill.  Don’t really know.  But I can say that that summer, all of us were pushed to our limits, and went into a world that none of us wanted to.  All to get justice for a friend.  Someone I cared about so much.  Maybe, if he ever comes back from what happened to him, I can care about him again.  I want to.  Want those good, innocent days back again.  You never know what you’ve got until it’s not there anymore.  This is gonna be a long story, but I wanna tell it.  So bear with me.  Please.
It ain’t for the faint of heart.  If you can’t handle ugly, twisted, scary things, you should walk away now.  But it’s the truth.  One that the police and our parents can’t wash away with everything else.  What do I start?  I guess it would be when school got out, that fateful summer…

Staring at the clock on the wall is always the worst.  The absolute worst.  Had my science teacher tell me that time doesn’t really slow down when you watch the clock.  Same as when you watch a pot boil.  What does he know?!  Clearly he was never a kid who wanted to get out of school on that last day.  I shouldn’t say that.  That’s mean.  Mr. Bergie is a cool guy.  Probably the coolest teacher here.  I remember when he brought in the beaver to dissect for the class.  That was crazy!  But cool.  All the digesting wood in its gut.
Yeah, this is why mom says I’m a tomboy.  Every other girl was totally grossed out.  I thought it was awesome!  We got to dissect a frog too, and that pretty cool.  I was gonna miss him.  But that didn’t stop me from watching that clock and desperately wishing it would hit 3:00 so we could get the hell out of there!
Looked over at Johnny.  He was my best friend.  Well, one of them.  We had this little crew.  Me, Johnny, our big man Eli who was kind of the ringleader, and Griffin.  It’s weird, because Griffin is Eli’s cousin, but he’s black.  You’d never know the two were related, on his dad’s side.  They’ve been best bros for ages.  Grew up together, and would do anything for each other.  Sometimes I thought Griffin was a bit of a perv, but he was always cool with me.  There was this one girl he was all over who lived down the way from Eli.  I think Eli has a crush on her, but he isn’t talking about it.  Part of me thinks that she likes him too.  I don’t know, call it a gut feeling.
Finally, and I hella mean FINALLY, the clock hit 3 and the bell went off.  Mrs. Guyer told us all to have a good summer and whatever, but none of us were listening.  I grabbed my backpack and was running for the door.  Johnny was right on my heels.
“Dude, we have to call Eli tonight!  I wanna be at the first showing!”
I nodded.  “Hell yeah!”
“Language, Sara!” I heard a voice call.  Mr. McCourt was giving me a mean look.  I shrugged at him.  It’s summer.  Don’t care about his rules.
“So, you got your ticket money?” Johnny asked.
“You know it.  Daddy always gives me some pocket money when I give him the puppy-dog face.”
He rolled his eyes.  “Yeah, well, I had to work for mine, beeotch.  Mom don’t give me shit.”
“But you got it covered, right?”
“Yeah, I do.  We’re good to go.”
“Better be.  I’m not gonna miss out on Jurassic Park because your ass is broke.”
We got outside and saw Eli and Griffin standing there talking.  The two of us ran over.
“Man, could today have gone any fucking slower?” Eli asked.
“I know, right?!” I replied.
“Dude, I couldn’t believe Ms. Pettijohn wanted to give a lecture on the last day that we had a quiz about!” Griffin said, almost with a snarl.  “That’s just evil.”
Johnny snorted.  “Ms. Pettijohn is evil.  What else is new?”
Eli had a grumpy look on his face.  “Okay, new rule – no more school talk for the duration of summer.  Ya’ll are driving me frickin’ crazy.”
I nodded.  “Word!  Let’s pretend school doesn’t exist.”
Johnny gave us a look.  “Hard to do when it’s right behind us.”
Everyone groaned.  Literal as fuck!  This guy, dude.

We biked home.  Everyone was stoked about the movie.  The trailers were everywhere, so everyone was talking about.  I’d seen Eli with the book it’s based on.  Dude always loved books.  Been in his house, he had a ton of them.  Never could get into that stuff.  Give me a good movie or a video game any day over that.  Or learning about cars with uncle Tom.  He could tell me all about his cool cars and how they run all day.  Fucking rad, dude.
All of us were so excited.  This was our big plan for the summer.  See the movie, and talk about it.  We were hoping to get one of our parents to drop us off.  But that was something else to plan.  I just knew we’d have a million things to talk about.  A great beginning to what was hopefully gonna be an awesome summer.
We chilled at our old fort.  Set up under this really huge and really old pine tree.  It had these branches that went way far out and hung down in the front, but were big enough underneath to hide our place.  We had a chest here with our stuff, and a lock that only we knew the combination too.  There was also this rope wrapped around the tree that we could swing around from.  It wasn’t the most crazy fort, but this place was where we had been meeting up ever since we were tiny.
This summer was gonna be awesome.  I was absolutely sure of it.  Nothing could fuck up how amazing it was gonna be.

It started to get dark, so we made our way home.  Perks of being in the 7th grade now – we had a lot more freedom.  Dad’s rule was – it gets dark, you get home.  Simple enough, and summer had nights getting longer, so we had plenty of time.
I came up on my house when I looked over and saw a girl who lived next door.  Her name was Kate.  If we were superheroes, she’d be my arch-nemesis.  We are polar opposites.  I’m jeans, t-shirts, and a baseball cap with the 49ers on it.  She’s sun-dresses, makeup, and a cute hat.  Girl always wore hats.  At least we had that in common.  Except my hat was always the same.  Kate liked clothes.
“Hey Sara!” she called out.
Parking my bike, I smiled at her.  “Hey.”  Every time I saw her, I felt warm inside.  Over the past couple years, it had been getting stronger.  Wasn’t sure why.
“School’s out!  That’s pretty cool.”
“Hell yeah!”
She winced at the swearing.  Girl came from a super religious family.
“I got some big plans!”
“Still going to see that movie?” she asked.
“Nothin’s gonna stop us from seeing it!  Make no bones about it, we are going to that film!”
Kate smiled a bit.  “Just you and your friends?”
“Well yeah.  I mean, I don’t know who else would wanna go.”
She shifted her feet a bit.  Why so awkward?
“Maybe I’d wanna go.”
I chuckled a bit.  “Dude, your parents would NEVER let you see Jurassic Park.  It’s got the word ‘evolution’ in it.  They’d never even talk about letting you see it.”
There was a mischief look on her face.  “Well, maybe I don’t tell them we’re going to see it.  Maybe I just tell them I’m hanging out with you and your friends.  Not really a lie, right?”
Was a little impressed at that, not gonna lie.  “Girl’s sneaking around to see a movie.  Wow.  Wonder what Jesus would think?”
She rolled her eyes.  “I’m pretty Jesus has bigger problems than me seeing a movie with a friend.”
“That ain’t how your parents think.”
“Yeah, well, I’m not them.”  She was smiling right at me.  Made me want to melt.  What was up?  “So, think I can come with you?”
Gave her a little look.  “Well, I gotta ask the others.  We’re getting Eli’s sister to drive us.  Don’t know if there’s room.”
A little giggle.  “I could always sit in your lap.”
Heart pounded!  What the hell?!  “I mean, yeah, maybe.  I’ll let you know.”
“Cool.  I better go in.  Dinner will be done soon.”
“Yeah, me too.”
We kept staring at each other.
“Good night,” she said, finally.
“Night.”
What a weird thing that just happened.  Wasn’t sure what it was.  It felt like…nah.  Couldn’t be.

Dinner was always hella awkward.  Mom’s on this crusade to try and get me to be all girly and shit.  I hate it!  Which meant more shopping trips to the mall to try and dresses and make her happy.  I knew that if I didn’t, she’d try and stop me from hanging out with my friends.  Sometimes you gotta just suck it up and deal.  I never let her buy any of it for me, and I especially will NEVER wear any of it.
Daddy’s cooler.  I think he likes that I’m a tomboy because he always wanted a son.  Instead, he got three girls.  My oldest sister, Jenny, is in college.  She’s going for pre-med to become a surgeon.  Everyone is hella proud of her.  Then there’s Melissa.  She’s a junior in high school, and she wants to join the Army after getting out.  Become a military doctor.  That makes both my parents super proud and super nervous at the same time.  I remember the news that Dad would read and watch every night back when Desert Storm was going on.  It was scary stuff to see.  But she told them she wants to be a doctor in the military because they would pay for college.  That’s smart.
Then there’s me.  The tomboy who just lives life and doesn’t think that far ahead.  Being in the military could be cool, but definitely not Army.  I’m thinking Navy, so I shoot a big gun!  I remember going to the Naval shipyard where they build ships and submarines.  Uncle Tom works there, but he’s not military.  He’s part of the crew who builds stuff.  Took me on base once and showed me some of the stuff there.  It was rad!  Big guns and he talked about how many people it took to use them.  That sounded so fucking cool.  If I was gonna serve, that’s how I’d do it.  Shooting things with big guns.  Hope Uncle Tom would take me shooting one of these days.  He said he would.  See if he would take all of us.  Bet Eli would get hella nervous being around guns.
After dinner I went upstairs.  Didn’t even try and get any phone time.  Figured if Mom wasn’t trying to get online to play Jeopardy, then Mel was talking to her boyfriend.  Those two were so gross together.  Every second of every day he’s clinging on to her like a fucking bat.  Made a joke that I knows who wears the pants in that relationship, and it ain’t him.  Don’t think she liked that very much.
It was really late at night, past my bedtime, when the call came in.  Mom yelling about who would be calling now, and Dad picking up the phone.  Suddenly, he sounded very worried.  Could hear mom getting up, walking down to the phone.  Now my curiosity was piqued.
“Well, maybe he’s at one the other boy’s houses.” I could heard Dad say.
A pause.
“Oh god.  Okay.  We’ll start a search first thing in the morning.  Break of dawn, you have my word.”
Another pause.
“Looking for him at night would be counterproductive.  He’s a smart kid.  He’ll stay where he is so he can be easier to find.  I know it’s scary.  But we’ll find him!”
Now I was at the top of the stairs.  Dad looked up and his eyes met mine.  In that instant, I knew that something bad had happened.  Who were they looking for?!
“You called the police.  They’ll get a search party ready.  First light, we’re gonna go out there and we’ll find him.  I know, Evelyn.  I’m worried too.  But when one of us goes missing, this community will come together to find them.  Try and get some sleep.  You’re gonna need your strength in the morning.”
He hung up the phone, still looking at me.
“Sara, honey.  Johnny’s gone missing.  He never came home.  His mom called Eli’s parents and Griffin’s dad.  Nobody’s seen him.”
This ugly feeling came into my gut.  An ugly, horrible feeling.  He wouldn’t not go home!  Something happened!
“We’re gonna form a search party and look for him in the morning.”
“I’m coming with you!” I damn-near shouted.
“Honey, that’s not such a great idea,” Mom started.
“If you tell me no, I’m just gonna go looking for him on my own!”
The two of them looked at each other, then dad nodded.
“Okay, sweetie.  Be up, first thing tomorrow.”
That wasn’t a hard thing to ask for.  I didn’t sleep a wink that night.

Next day, to dad’s credit, a ton of people gathered.  There was Officer Lewllyn, and his wife.  A young patrol cop and his partner.  Eli and his family, Griffin and his, even Kate and her family.  Friends of Johnny’s family.  There was even family who came from out of town.  Said they drove all night.  Lots of neighbors.  Some of which I knew.  Chief Joe (that’s his last name.  I know, confusing.  He has two first names) came out and broke out a map.  He had drawn up a series of areas that he had likely gone missing.  Everyone got together and started breaking down areas to search.
I got together with Eli and Griffin.  All we could do is walk with everyone.  Couldn’t think of any words.  None of us could.  Kate came over and walked with us too.  I liked that.  The morning dragged on and one.  People calling Johnny’s name, looking for some evidence of him.  Some false-alarms.  A homeless guy who appeared out of the forest, looking disheveled.  Seen the dude around the diner Mom works at.  Nice enough, but you always are a little careful.
The search went on for hours, but there was nothing.  We just kept going around and around, but nothing was found.  Not a single trace.  It was like he vanished from existence.  His route home was always the same.  Always.  We should have found something.  It was nearly nighttime when the search was called off.  Chief said it would “reconvene in the morning.”  Whatever the fuck that meant.

Hours turned into days.  Days when I had no appetite, no desire to do anything except sit in our fort and cry.  You have all those stupid PSAs about being careful and stranger danger and shit.  Guess it was more than something just talking.  Then, after two and a half agonizing weeks, he finally turned up.  Though, I don’t think he was supposed to.
Dad got the call from Officer Lewllyn.  He said that a couple fishermen found a body on the river’s edge, north of town.  He’s alive, but they didn’t think he was supposed to be.  There were rope marks like he was tied to something and thrown in the river.  It came loose, whatever it was.  He floated downstream, washing up on the bank.  Dad didn’t tell me how bad it was, but he was hurt.  Said it was really bad.  The fact that he’s still alive is amazing.  We went to the hospital.
I nearly ran inside.  Was told what room he was in, and charged upstairs.  When I got there, Eli was already there.  He walked over and put his arms around me.  I liked that.  I needed to be hugged right now.  Normally not the type, but I really, really needed it.  Johnny’s mom was there.  She was a mess.  Makeup that was smeared, trying to look like she was holding it together.
The adults all talked, but that wasn’t why I was here.  I walked over to where the bed was.  A curtain was drawn around it.  Walking inside, I stopped cold.  There, lying on the bed, was Johnny.  He didn’t look human.  Tubes in his mouth, one in his nose.  His skin was red and purple.  There was a giant bandage around his hand.  Bandages all over his body.  What the fuck happened?!
Eli put his arms around me again.  The dude had a gift at knowing when I needed to be held.  It was so awful.
“We’re gonna get to the bottom of this,” he whispered in my ear.  “I swear, we’re gonna find out who did this.  And then fucking kill them!”

When I got home, there was nothing that I could feel.  Food had no taste.  Nothing mattered.  I just went into my room and crashed into my bed.  Sleep finally greeted me.  I don’t think I was awake long enough to perceive hitting the pillow.  Just gone.

My eyes opened and I was in a white room.  On a bed that was really, really uncomfortable.  Sitting up, I saw that I was wearing a weird off-green shirt and pants.  Super light.  What the fuck was this?  There was a a window on the door.  It showed sunlight coming in.  My room had a desk as well, with a light.  It was off.  Getting up, my feet greeted the freezing cold floor.  That sucked.  There were slippers.  Like something you’d see in a hospital.  Weird.
Knocking on the door, I tried to look out.  It was taller than I was.
“Hello?  Is anyone there?”
There was a brief pause, and then the door opened.  Standing there was a very large black woman, with curly hair and a kindly look on her face.
“Hey there, honey.  You’re finally up!”
“Where am I?”
She frowned.  “You don’t know?  This is the Millwood Asylum.  We look after people who have mental problems.”
Oh no.  Oh fucking no!  I was in a mental asylum?!  Wait, who even calls them that anymore?
“I’m not crazy!  What am I doing here?!”
The woman gave me a gentle smile.  Very motherly.  “Oh honey, it’s okay.  You’ve nothing to be afraid of here.  We’re gonna help you get better.  That’s why you were brought here.”  She motioned toward the door.  “Come on.  Let’s get you to meeting the population.  I’m sure you’ll have a lot to talk about.”
Part of me knew that this place was connected to what was happening outside.  Don’t ask me how I knew.  I just did.  What the fuck was I going to do now?

Until next time, a quote,

“The instruments are gruesome, but a hole in the head gives the troubles more space!” – Nurse, Alice: Madness Returns

Peace out,

Maverick

Game Developers Should Unionize

Time was, I worked at Walmart.  I stocked shelves at night.  It was, hands-down, the worst job I’ve ever had.  Nothing else even comes close.  During training, we had a whole day devoted to the group I was hired with getting a big education in why unions are bad, and those who work for unions are bad, and how we are so much better off because we don’t have a union.  Orwellian as fuck, but that’s how it goes at Walmart.  The corporation is pure evil, so what else did you expect?  Not sad that I lost that job.

Story after story is coming out about how AAA-game publishers are forcing those who work for them into some of the worst working conditions I’ve ever heard.  From the 100-hour work weeks that was uncovered at Rockstar, to the Bioware nightmare while Anthem was in development.  Activision Blizzard treating testers in a way that is subhuman.  EA as well, but EA is so evil that it defies comprehension.

While we’re on that, did you hear the thing about the guy at EA who is just absolutely baffled, for 25 years, why people think that EA is full of “bad guys”?  That just blows my mind.  This dude has seen how the company treats their employees.  He’s seen how they will lay people off when the money isn’t coming in enough instead of treating their employees like they care.  Or how EA treats their consumers as nothing more than cash machines instead of actually trying to give them a quality product.  How about the thing where they try and defend lootboxes as “surprise mechanics” and make a point about how they are part of the pioneering spirit of EA?  This dude can see all that, but is totally baffled as to why people think that EA is full of scum-fucks.  Maybe this dude is so out of touch, but I refuse to buy it.

Apologies for the digression, but that was too good not to talk about.  EA is one of the most evil companies ever.  It hurts me inside that Star Wars Jedi: Fallen Order looks so good.  Part of me is wondering how EA is going to secretly screw everyone over.  They said no lootboxes, but maybe there is some other “surprise mechanics” in the game.  Fuck EA.

Even CD Projekt Red isn’t immune from this.  There was an expose published about the development of The Witcher 3 and what hell it was for those who were involved.  The company has promised that that kind of thing is not going to happen again.  We’ll see.  I’m always skeptical.  Blame the fact that these companies have a reputation for being liars and treating people like crap.

Which is why I genuinely do believe that game developers, testers, all of those groups should unionize.  It’s LONG since time that they did so.  As we have seen with the lootboxes fiasco, these companies won’t learn from the horrible things they do and will just make excuses.  Hell, there was an article where one head of a company was laughing at the idea of them unionizing.  Since these companies can’t be trusted to do the right thing on their own, it’s time for those who are stuck in this nightmare to step up and band together.

Naturally, there’s the thought about what companies would do if this were to actually happen.  The answer is pretty obvious – not hire anyone associated with the union.  They’d outright tell people that if they unionize, they’ll just fire them and never hire them again.  They know how many people are desperate for a job and would accept their ultimatum of staying out of the union to keep their job.  Gotta love a profession where people live under a constant threat of having no income if they don’t tow the corporate line.  Or with the testers, being treated less than human and paid virtually nothing.

The only way this would work is if enough developers/testers were to get together all at once and make this happen.  It can’t just be a couple of people.  It has to be a large effort.  But it needs to happen.  It should have happened so many years ago.  With gaming getting bigger and bigger, employees need the protection a union brings.  That way these companies can’t pull the bullshit that they do.  There are so many stories of the work environments, the stress levels, the burnout, even suicides in connection to how awful it is.  It’s high time for those in this profession to band together and actually look out for one-another.

What would this mean for gamers?  Several things.  For starters, yearly releases would be a thing of the past.  Less crunch would mean that things would have to be paced out.  Games would be on CDPR time – coming out when they’re done.  Given how unfathomably impatient gamers are (I admit that I am an impatient man myself.  But I accept when there are delays because I want things to come out perfect), this could have a lot of people bitching and moaning about the delays.  They’d have to suck it up and deal.

Because we never see the people who makes games, it’s hard for people to understand the human cost.  In this age of apathy, plenty of people probably don’t care.  It never ceases to amaze me how easy it is for people to rationalize not caring about what happens to other people.  With homeless people, it’s just fantastic.  Part of me wants America to just ditch the pretense of empathy and just kill the homeless.  It’s painfully obvious how little people care.  I had to overhear two coworkers talking about how awful it is that they are everywhere.  What would they prefer?  The way I see it, nobody cares, so let’s stop pretending.

Sorry, another digression.  AAA gaming needs to change.  It needed to change years ago, but now more than ever, it’s time for the people being exploited by corporations who treat them like cattle to band together and step up to them.  They would fight tooth and nail against them.  They’d fire, threaten, and make life hell for those who do this.  But in the end, they could succeed.

Part of me is hoping that AAA gaming is gonna have a collapse.  EA is a company that I would LOVE to see brought to heel.  People lament the idea of EA collapsing.  Not me.  I think it’s a great idea.  Maybe one or two of these companies need to topple in order for the rest to learn that they can’t keep being as greedy and scum-sucking as they are in order to survive.  A man can hope.

Until next time, a quote,

“It’s been a day of firsts.” – Lt. Richard Winters, Band of Brothers

Peace out,

Maverick

Letter to the Editor: Dunleavy Wants to Sink Alaska for Your Free Money

Back when I was an office assistant at the part of the state I work for now, I got a call from a guy very upset that we were garnishing his PFD because of what he owed.  He said that we can only take a portion of it because it’s income.  I told him that’s wrong.  We can garnish up to 100% of any lump-sum payment, and 40% of wages.  The response I got was classic – the PFD is wages.  To which I rightly replied – what exactly is it that you did to earn this money?  The answer I got was about as incoherent as it could be, and he angrily hung up.

Wanna know the truth?  He did nothing.  This is free money that he got for living in Alaska.  He did NOTHING to earn this money.  But in his overwhelming sense of entitlement (for the old people who think this was a young man, think again.  Dude was in his 40’s) had him actually believing that he was owed this payment from the State of Alaska.  That it wasn’t a gift that could be taken away.  Looking at all the madness surrounding Dunleavy and the crazy nonsense he has done and is still doing, I’m starting to realize that he isn’t the only one.

During the last election for governor, I knew exactly what the issue on the table was going to be – the PFD.  My prediction was that those on both the D and R side of the table were going to use it against the then-Governor Bill Walker and destroy him with it, because people had their dander up about the PFD because Walker had cut it for three years.  Cuts done because he was too conservative to do what now HAS to be done – raise the income of the state.  He couldn’t cut his way out of the problem, so the idea was to use PFD money to plug the massive financial hole that the state dug because the oil is drying up and our state made the unfathomably-stupid decision to tie our entire economy to a finite resource.

All of my predictions were spot-on.  Both Begich and Dunleavy were doing nothing but using the PFD as a bludgeon against Walker.  To the former Governor’s credit, he actually did step up to that.  A pity he dropped out.  Would have liked to see what it would have looked life if he hadn’t.  So we had a pretty much substance-free election, all tied to everyone yelling about their free money.

Now, a year later, and Dunleavy intends to keep to his word.  His one major campaign promise – a full PFD, with an amount for what was cut in previous years to be included.  But since he’s a Republican and has a single-digit IQ, he decided that doing the smart thing like raising taxes (which has to be done.  We’ve long passed the point where we can cut our way out of this) along with cuts (which also does need to happen.  It has to be both, not either), he opted for something that is outright insane.  In a series of line-item vetoes, he cut hundreds of millions of dollars from the state budget, smashing so many programs that actually helped people to bits.

The biggest thing that he slashed to ribbons was the University of Alaska budget.  $130 million cute from the University, effectively disabling it from dozens upon dozens of degree programs.  And this may not even be the end of it.  In one fell swoop, Dunleavy crippled one of the biggest things that Alaska has going for it.  Don’t believe me?  I’ll explain.

A few years ago, there was a big push to keep Alaska students in Alaska.  The reason being that most who leave for college never come back.  There was also the goal of getting those who are out of state to come to Alaska.  Things like UAA’s excellent nursing program, or UAF’s amazing engineering program.  These things are known nationwide.  Not to mention using the UAA teaching degree program to help get new teachers to Alaska, or at least get people to be aspiring educators.  One can never see how the future will pan out.  Especially with the turnover rate for teachers.

The powers that be at that time could see what I do now – Alaska’s population is getting old.  As more and more young people leave, and fewer young people are having children than ever before (guess they got the memo about overpopulation killing our species), the population of Alaska is very old, and getting even older.  Back before the oil market started to crash, this was worrisome.  Now, as industry is leaving Alaska and the recession of 2008 has finally arrived, the aging population of Alaska is a bigger threat than ever before.

One doesn’t have to look far to see what population decline is doing to some of the state where there is no major industry to speak of.  With fewer and fewer people coming into the labor-force, jobs will be unable to fill positions.  Experienced leaders who are retiring can’t be replaced, and as more people are looking for jobs out of state, that leaves an even bigger hole.  The cost of living in Alaska keeps growing, and people are fleeing major cities like Anchorage because the cost of housing never stops going up.  Another thing that Dunleavy is helping facilitate.

What does this mean long term?  For starters, ghost towns.  Places that are economically dead, and people just leave because there are either no good jobs, or no jobs at all.  Businesses that can’t staff their stores will close.  In Anchorage, this is especially important.  Nordstrom just closed.  The 5th Avenue Mall is holding on by a thread.  If JCPenney closes, that’s it.  It will join the Northway Mall in being effectively dead.

You can’t sell the direness of the situation to the entitled people who want their free, unearned money, however.  They won’t listen.  They don’t care.  While the state is dying a very slow and ugly death, while the PFD is on borrowed time because to give people the PFD Dunleavy promised (because he is having to dip into state reserve money to pay for it), while young people will leave Alaska to pursue education opportunities elsewhere, they just want that free money.

In a previous article, I talked about how what’s happening in Alaska is a microcosm to what is happening nationwide, and I’m certain I’m right.  Now more than ever.  Alaska is bleeding to death, but everyone is blissfully unaware, or outright doesn’t care, because they want things their way, and to hell with anyone who says otherwise.  Plenty of people say that the left just wants free stuff, but those people aren’t paying attention.  Medicare For All wouldn’t be free.  The difference is that for people like me, instead of paying premiums to private insurance, it would be paying to that.  It would probably be cheaper than my plan.

The PFD, on the other hand, is free money.  Not one person complaining about it has done one thing to earn it.  It’s money that the government gives you.  And if we don’t do something, now, to increase revenue and cut the oil tax breaks that we should have 20 years ago, that free money will go away.  With as old as the population of Alaska is, maybe they don’t care.  After all, it’s not like they’ll live to see it when it’s all gone.

Until next time, a quote,

“You can’t sell smart to the American people.” – Toby Ziegler, The West Wing

Peace out,

Maverick

Lucien’s First Take: Mulan Official Trailer (2020)

I’ve made very, very clear how much I despise modern Disney.  I’ve described the media as a tired old whore telling you whatever they think will get your click fingers going, but Disney sure isn’t far behind them.  Doing whatever they can to get the maximum amount of money in with the minimum amount of effort.  We’ve seen that with TERRIBLE live-action version of films, each worse than the last.  But it seems that Disney is keen to one-up their shitty movies, and we get to see the dim-witted, dumb-shit millennial audiences who will shell out money to see it because they are nostalgia junkies who need their next fix.  The first trailer dropped, and it pissed me off.  Let’s watch it together, then we’ll talk about it.

 

Oh fucking boy.  Why do people keep seeing this crap?!  Can SOMEONE please tell me what it is that draws you fuckers in to watch this garbage?  That’s not rhetorical.  Someone explain this to me in a way that a pretentious pseudo-intellectual can understand.  All ears.  Lots to talk about.

For starters, we have this scene where Mulan is on a horse, in what is a nice setting of the Chinese countryside.  Okay.  Then we cut to her at home, and it seems the match-maker has already got her hitched.  So the scene where she fucks up the appointment with the match-maker and gets yelled at, only for her father to say that he cares for her for the person she is?  Yeah, guess they cut that out.  Now the dad just says this is for the best and we leave it at that.  What a great way to avoid having a family dynamic and getting to know the characters.  Not to mentions one of the big song numbers.  Given what we see in the rest of the trailer, I have a sneaking feeling there won’t be any actual music in this movie.  Call it a hunch.

Then there is a montage with who I presume to be the match-maker, listing off qualities that a wife should have.  During this montage we see Mulan doing martial arts and practicing with a sword.  Wait, what?  Why is she this really competent warrior already?  In the original film, she wasn’t.  There was no indication she could fight.  Her taking her father’s blade and going to serve in his place was done because she was more scared of him dying than how little she knew.  Part of what made the original film great was how she had to grow.  There was the best song number in that film where we see this fantastic musical and visual montage showing Mulan’s growth for a weak, unskilled newbie and her journey to become a skilled fighter and able to keep up with all the guys.  It’s so weird to me that in a movie that is marketing on girl power, they’re stripping an element from the film that helps show Mulan grow as a character.

The montage continues showing Mulan as she is with the troops and heading into battle.  Um, am I the only one who thinks that she looks feminine was fuck as a guy?  This is why animation works and live-action doesn’t.  Her features betray that she is a woman.  This film is gonna totally lack all suspension of disbelief when she tries to pretend to be a man and nobody notices that she looks like a bad tomboy.  The least they could have done as butch her up a little.  But then you can’t sell girl-power, because then she looks masculine, and that can’t work.

It ends with her whipping her sword around all cool and I guess she ditches the male persona pretty quick in this movie.  Because throughout the whole last bit, she’s looking like a woman again.  As memory serves, that was after she was wounded and her cover got blown.  Guess that scene doesn’t happen in this movie.  Not to mention, where’s the bit with the Imperial City and catching the Mongolians in their plan to ambush the Emperor?  Where’s the scene with her and her chums using skills they honed before to sneak in?  Where’s the scene of the chums in drag?  That shit was hilarious.  I don’t see any chums in this movie.  Guess that would take too many actors, you know, acting.  That’s too much work.

Also, where the fuck is Mushu?  Are they just ditching that?  Did they learn from Aladdin and realize that all these CG side-kicks just look fake as fuck?  Oh wait, I know why he’s not in this.  See, China has this rule about movies that are shown there – no ghosts, no gays.  Mushu ends up with her because the spirits of the family elders try to send one of the guardians to watch over her, and he ends up fucking that up so he goes to make things work with her so he doesn’t lose his ability to go home.  But all that stuff with ghosts is no-go in China, and Disney won’t do anything to disrupt that sweet China cheddar.

Can’t help but notice that since she’s supposed to be in a big battle, her outfit is very nice and not dirty or cut or anything.  Her face is very nice too.  So’s the makeup on it.  Guess they don’t want to worry about that little detail. If she wasn’t cute, then little girls couldn’t put themselves inside her like a skin to vicarious experience the movie through her.

It’s so weird to me that the film that CLEARLY is marketing itself on girl power is so much less of a female strength metaphor than the film it a remake of.  The original film told the story of a woman who didn’t let herself get held back.  She stood tall with the men, and earned their respect.  She went from an inexperienced woman pretending to be a man, to being the savior of China.  This film clearly decided that that was too much work.  Instead, just make it a Lord of the Rings knock-off in terms of battles, and make her super strong and super awesome without having to work at it.  Oh, and ditch the songs because then the characters would have personality.  That’s too much work for modern Disney.

Initial Verdict
You people who see this are the reason this shit gets made

Peace out,

Maverick

Your Comprehension of History is Laughable (A response to Extra Credits)

Something I have always hated is people who look back at history and don’t learn shit from it.  Combine that with people who believe that entertainment somehow will “normalize” a societal value, and you have a good amount of stupid that one can pick apart.  Which is where Extra Credits comes in.  I’d heard of these guys around, but never really seen much of their content.  But this video has been making the rounds lately, and I just had to respond.  It’s so fucking stupid.  They talk about how we shouldn’t have Nazis in video games anymore because it normalizes them.  Oh boy.  I’ll have the video on here so you can see it with me, then we’ll talk about it.

Alright.  We start with little Billy playing his game, when suddenly he is a Nazi in multiplayer!  Now, this is a game centered in World War II, and in multiplayer that means that someone has to play the opposing side.  That’s how it works.  And most people wouldn’t even think about it.  You’re thinking about taking out the people you’re against in the game.  You wanna do better in the game than the other side.  Would you rather the Allied forces kill each other?  There’s some meta commentary about the nature of warfare.

Apparently, this is bad on so many levels.  Let’s hear it.  The dude starts off saying that by having it so you can play as the Germans in a World War II focused multiplayer game, you’re alluding to the fact that German soldiers are on the same level as the Allied ones.  Um…what?  That is INSANE levels of reaching to make your point.  Nobody is saying that, dude.  Nobody.  Find me someone who says that who isn’t a white nationalist.  It’s saying that when you have two sides in a game squaring off against each other, you typically have them as the enemy they are fighting so that it fits.  Otherwise you’re having allies kill each other.  Is what you want?  Want Americans to kill each other in-game?

Man, people say that I overthink things.  This dude makes me look like a fucking amateur in this department, because this is some quality overthinking.  It doesn’t matter if the game tells you that the person you’re playing as was forced into military service for Germany during World War II.  Hell, that was pretty much all men at that time, so yeah.  It’s how the game works.  What proof do you have that playing as a Nazi in a game does any real damage?!

The narrator goes on to then say we need to stop forcing people to play as terrorists in games like Counter Strike.  What is the rationale this time?  Here the dude goes into more details.  See, people have been hurt by terrorists and Nazis.  Not even gonna talk about those still alive who were hurt by the Nazis, because the amount of Holocaust survivors goes down every year.  There are very few left, if any at all by this point.  It’s been almost 80 years since the war ended.  So the amount of people hurting because of this is a VERY small number.  As for those hurt by terrorism, it’s weird to hear this coming from an American.  Yeah, 9/11, but fuck that.  You wanna talk about those hurt by terrorism, Europe has a MUCH bigger leg to stand on at this point.  Radical Islam has been killing so many people there over the last few years that it’s almost commonplace at this point.  Kinda like mass shootings here in the US.

His argument is that nobody should be part of an ideology they don’t like without their permission.  So then don’t play the game.  Nobody’s holding a gun to your head.  It ain’t like the game is making you swear allegiance to the Nazi party.  It’s a skin for your character to fight the other side.  It’s just a place-holder, which you said you’re against, but the one argument you’ve made so far is just bullshit.  If they are so abhorred by the idea of playing as a German soldier in a game where the goal is to be better than the opposing team, with nothing political involved save what skin you have on, what’s the problem?

Finally, we get to the meat of his argument, and it’s so fucking stupid.  By having it so you can play as a Nazi in a video game, we “normalize it”.  It becomes just another part of life.  That Nazis stop being super bad, and just become “meh.”  Then he asks if we’re ignoring history with this statement and says the answer is no.  Um, fuck yeah you are!  This is blatantly ignoring history.  And because you’re almost-certainly an American, I’m not surprised.  It’s not exactly a mystery that American education doesn’t even do the most basic of stacking up against other developed nations.  Education in this country is a fucking joke.

The Nazi party isn’t something that just came from the ether.  They didn’t just come out of nowhere and say “let’s start killing Jews, homos, and gypsies!”  No, there is a long and ugly history.  Like the Treaty of Versailles, which was an egregious document that destroyed the German economy.  Then there was the burning of the Reichstag, which galvanized the German people.  Then there’s the fact that, historically speaking, blaming Jews for people’s problems has a LONG history.  During the Black Death, whole communities of Jews were killed, because people thought they were bringing the plague.  Mostly because they weren’t getting sick nearly as much, partly because of their social isolation and partly because they had more standards of cleanliness than other people of the time.

So when this dude says that the concept of Nazism is being “normalized” by playing CoD: World War II and being on the Nazi team, I’m left to wonder something – what the fuck is he talking about?  The dude goes off on this tangent of how if it’s normalized, you might go to Nazi websites and read their ideas and become radicalized.  What?!  This is so fucking stupid.  Like some kid who is raised in typical, accepting and pro-diversity America is just gonna go “you know, I looked at Nazism, and I think it’s a good fit.”  Let’s totally ignore that white nationalism ideas are typically taught by families who are racist as fuck.  That you don’t just go onto a website and believe an ideology.  That wanting to become a Nazi is WAY more complicated than “I played a video game and was a Nazi in it, so now I’m gonna become one in real life!”  Jack Thompson 2.0.  Well, maybe 3 or 4.0, at this point.

The dude then says one of the dumbest thing I’ve EVER heard.  That after playing over a thousand hours of CS: Go, you’re gonna be celebrating terrorism!  Are you fucking kidding me.  What fantasy world does this delusional fuck live in?  What absolutely bonkers fucking reality does this intellectually-vapid moron live in where he can think that all it takes to become a terrorist is seeing in a fucking video game?!  Never mind that terrorism as we know it today almost-exclusively comes from a very violent and very bigoted religion that is pretty popular, worldwide.  Granted, there are plenty of people who subscribe to a much less radical version of that religion and just want to live in peace.  Good for them.  But the more radical element of that religion has a pretty big stake in terrorism as we understand it.  I don’t hear a lot of these games praising Allah.  So what is your proof of this, troglodyte?

So we get to the moron’s solution to his intellectually-insipid non-issue that exists only in his vacant mind – make PvP just training exercises or color everyone red and blue, a la Halo.  He then makes the argument that people who claim that needing to have Nazis or terrorists in games multiplayer for historical accuracy is stupid because it isn’t historical.  A guy who literally ignores ALL of history associated with EITHER of the groups he is decrying in games is telling me that people arguing for historicity is bullshit.  Um…pot, kettle on the line!

The rest of the video is just him restating what he already talked about.  This is stupid.  This is so fucking stupid.  This is the Anita Sarkeesian argument that violence against women in video games normalizes violence against women in real life.  There’s no measurable difference between these arguments.  Meanwhile, there is a lot of history for both sides that we as a society could learn from and not repeat.  But this stupid fuck wouldn’t even know where to begin on that.  It’s clear that he is historically illiterate.

Until next time, a quote,

“Those who don’t learn from history are doomed to repeat it, while those who do learn from history are doomed to watch other people repeat it.” – Anonymous

Peace out,

Maverick

Disney is Pure Evil (Spider-Man Edition)

There’s this perception of Disney as this big family-friendly company.  They care about the children.  They care about being progressive and values and all that other shit.  It’s the ultimate lie that they spend inordinate amounts of money to maintain.  However, for those who have any amount of perspective and aren’t complete saps, they can see the truth – that all that family-friendly, progressive values shtick is just bullshit.  That this company is as ruthless and evil as any other.  All they care about is the money people pay them.  The fact that people can’t see thru this and even defend them is simply beyond me.

Of course, it helps that they have a huge media empire who does nothing but kiss their ass.  And that the media in general is nothing but a whore who will turn whatever tricks will get them clicks.  There’s no bottom there.  It’s what destroyed Gawker, after all.  So we see articles doing nothing but trumpeting how Disney is so great after they use progressive values to get cheap marketing points.  Did you hear that Ariel is gonna be played by a black chick in the new live-action (mostly CG) The Little Mermaid movie?!  Well that’s so progressive of them.  A black mermaid!  Never mind that it’s gonna be a cheap cash-grab, like all the rest of their cheap cash-grab movies that have ALL sucked!  Without a single exception!

But of course, Disney doesn’t care.  They make money like gangbusters on this shit.  It pours in..  All from idiots who just want to feel that nostalgia again.  Because that’s the culture we live in.  Moron who want to idolize movies from their youth.  You know, instead of just watching those movies that had heart and talent and were good and not watching the new ones that are “progressive” and boring and phoned-in piles of shit.  Because it’s a cartoon, after all.  Now we get to see the version for grown-ups.  You know, with terrible modern Disney jokes, and performances by ethnically-fitting actors/actresses who couldn’t act their way out of a paper bag.  Sure, they shit on the legacy of other people like Robin Williams by having Will Smith phone in every song he does.  He sounds so fucking medicated in every single he sings in that shit-tastic Aladdin remake.

Meanwhile, we have Tom Holland who is the actor portraying the current Spider-Man is open to being a gay Spider-Man, saying that the MCU needs more gay characters.  News flash, Tommy-boy, ain’t gonna happen.  Know why?  Because Disney doesn’t wanna lose that precious China cheddar.  And guess what, China has a rule – no ghosts and no gays.  So unless the gay character can have their gayness edited out of a movie, Disney will never, EVER touch it.  I refuse to believe that this guy is so stupid that he isn’t aware of this.  But he wins progressive points with the media who does nothing but kiss the ass of that line of thinking.  That’s why he said that.  Most actors/actresses are aware that Hollywood is nothing but evil corporate monoliths.  So yeah.

I talked before about the fact that Disney, as a corporation, is petty and absurd in the extreme.  If you have a little cake-decorating business in Guyana where you print sugar images on cakes, and you print Disney characters. even if no one outside the people in your town know who you are, Disney’s lawyers will find you and sue your ass into oblivion.  That’s the company who talks about how “family” they are.  They will fuck up ANYONE who uses their intellectual properties without their signature notarized on their ass.  But it seems that this actually gets worse.

See, there’s a dad whose son died.  The kid was a huge Spider-Man fan.  Naturally, because this dad wanted his son to be remembered, he wanted to put his favorite superhero on his son’s grave.  What a sweet thing to do in a horribly tragic situation.  Or it would be, if Disney didn’t swoop in like the evil Nosferatu mother-fuckers that they are and say “nope!  Can’t do that, or we will sue your ass!”  That’s right, Disney’s lawyers came down from on high and told this guy he can’t do that.  Can’t put his son’s favorite superhero on his fucking grave.  Because it violates their intellectual property.  Wait, I’m sorry.  I meant to say that they “want to preserve the magic of the character.”  Yeah, that’s something a fucking lawyer wrote.

I’m convinced that after you obtain a certain amount of money, your morals just stop existing.  It has to be that way.  Otherwise, how can you tell a grieving father that if he puts his son’s favorite superhero on his fucking grave, you’re gonna sue him for copyright infringement.  As you might imagine, the media who is busy kissing Disney’s ass ain’t said shit about this.  Of course not.  They’re too busy yelling at idiots who are mad about Ariel being a black chick or telling Tom Holland how “woke” he is.  Because if the media was capable of talking about anything like the fact that Disney is the most petty, pathetic, malicious company in existence and really took a hard look at what scum-fucks run that monkey farm, what a wonderful world it would be.  The media doing its job.  There’s a funny thought, eh?

Fuck Disney.  Fuck them so hard.  Avengers: Endgame is where I’m tuning out of the MCU.  I do mean to see it, one of these days.  Now that that is done, and they are laying the franchise and the best people in it to rest, it’s a good time to just sit back and watch as Disney does to Marvel what they’ve done to Pixar and Star Wars – milk it until the cow runs dry and the creative energy long since departs.

Who are the defenders of this?  Who?  I wonder if the media who’s busy kissing Disney’s ass is gonna try and spin this.  Probably not.  There’s no possible way you could make Disney look good in this disgusting, amoral nightmare that they have become.  Makes me wonder what Stan Lee would think.  A company who is spitting in the face of a grieving father.  Lee wanted everyone to love his superheroes.  To be able to express that in their own way.  Sure, he was a consummate company man, but I’d like to think that even this is a bridge too far.

This company is fucking dead to me.  They buy company after company, owning more and more media and turning more and more of it into family-friendly shit.  I remember when Miyazaki put out his magnum opus, Princess Mononoke.  Disney owned the distribution rights to Studio Ghibli’s work, but this film wasn’t like the others he made.  This one was violent in the extreme.  So Disney asked if they could make some cuts to the movie, to get rid of the more violent stuff.  Miyazaki sent the head of Disney a katana with a note – no cuts.  I wonder if ANYONE who is associated with that company would have those kind of balls now.  A man can hope.

Until next time, a quote,

“Disney, fuck you with a capital F!” – ItsAGundam

Peace out,

Maverick