Lucien’s Review: Guardians of the Galaxy, Vol. 2

What a weird year for Marvel films.  Everyone says that they’re getting tired of all the Marvel films, because they’re so predictable and stale.  Part of me thinks that someone at Marvel heard that, and has been eager to change things up.  And wouldn’t you know it, but this year has delivered two very good films that may not have shaken the formula to its core, but at the very least have made things different enough to have people enjoying them more.  Nowhere was that more apparent than with the sequel to one of the funniest films in the MCU, Guardians of the Galaxy.  A film that not only had some surprisingly good character development, but a villain who actually caught me off guard.  Sure, the formula is there, but at least this film plays with it, and it actually feels like it is expanding on the lore of these characters, rather than just retreading old ground.  Let’s talk about it.

The plot goes that sometime after the events of the first film, the Guardians of the Galaxy are now for hire heroes that do nice things for pay.  Not a bad racket.  However, after Rocket decides to fuck things up for them because he can’t stop himself, Quill’s father comes back into the picture.  Backstories are explained, and characters’ true motivations are revealed.  A villain who actually has a motivation that isn’t just copy-paste comes up and now another battle is on to save the galaxy.  Like I said, it still has that formula, but it does it oh so well.

I’ve complained to no end how films are now basically just becoming endless CG bugs me, and I would be lying if I said that it wasn’t the case here.  This film is ALL about the CG.  It’s fucking everywhere.  That being said, it was still pretty.  I think the director knew that everyone would be noticing the constant CG so he took a very interesting tactic – use brilliant colors as a way to offset people’s disdain for it.  That’s pretty clever!  The same thing was used to good effect in Doctor Strange, though this film also had color used for comedic effect at times.  Constant, vivid colors was all over this movie, and I’m genuinely glad it was because otherwise I would have been rolling my eyes a lot over how fake so much looked.

Which is one one of my flaws.  It’s pretty clear that while Baby Groot was cute as fuck, he was never in the shot and everyone who pretended to interact with him wasn’t really interacting with him.  That was painfully obvious.  Plus, yeah, some of the sets were so blatantly just people in a room with green-screen absolutely everywhere.  I’m honestly glad I am not one of these people who watches making-of videos of movies, because I bet watching people just being in green rooms acting is both depressing and funny.

The film also brings back it’s truly fantastic soundtrack.  I love the musical choices in these film.  How each track is used also perfect goes with every scene that it goes into.  The opening is the most known and parodied, but there is a ton of places that each track is used well.  This director knows his stuff oh so well.

Speaking of, the comedy in this film is so on point.  It’s kind of nice to see a film where all the heroes are pretty much anti-heroes pretending to not be.  These people are such assholes!  I love it!  Every single character in this film is kind of a douche, but the chemistry between all of them is just fantastic.  My favorite is still Rocket.  This guy is such a dick.  He is the biggest anti-hero of them all, but the way he plays with that just makes him so lovable.  Maybe it’s that inner asshole in me who can’t get enough of it.  Hell, even Drax is funnier in this film.  His complete lack of a filter is just too perfect.  Plus, he said one of the most cathartic lines to me on a personal level.

“When you’re ugly, people love you for who you are. When you’re beautiful, you don’t know who to trust.”

For someone who struggles with body image issues due to balding that isn’t especially pretty, this strikes such a chord to me.  My self-loathing is a constant struggle.

Overall, this isn’t a perfect movie.  Yeah, the formula is still there.  But it still feels like a breath of fresh air.  I’m glad I got to see this on Netflix.  A good Spider-Man film and now a good sequel to a flawed original that takes it to the next level.  With the MCU looking to wrap up now that Infinity War is coming, I genuinely think I’ll be able to look back fondly on it.  Marvel caught lightning in a bottle, which DC is now pathetically trying to imitate.  What a shame.

Final Verdict
8 out of 10

Peace out,

Maverick

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Lucien’s Review: Spider-Man: Homecoming

I’m about to get very unpopular right now.  I hated the first three Spider-Man films.  Why?  Because I hate Tobey MaGuire.  I’m sure he is a perfectly nice person, and I have seen movies with him in it that I like, such as Pleasantville.  However, I do not like him as an actor.  How he was able to carry the role in the aforementioned film is beyond me.  Maybe they got that one director in a million.  I don’t know.  Whatever the case, he was insufferable as Spider-Man.  There is the meme about the many faces of Tobey Maguire, well, that’s all I can think of when I watch those movies.  Andrew Garfield was a little better in the role.  At least in the first film he starred as.  I at least felt like he was trying to fit into the role of the character.  Still, he ended up being destroyed by studio interference.  Though, that’s what happened to the original films too.  Huh, there might be a clue about Sony and their vicegrip on this franchise in there somewhere.

But for the first time in, roughly 15 years, I actually feel like I have watched a Spider-Man movie.  It’s finally happened!  I knew it would be after I saw this actor in the role in Civil War.  Tom Holland was perfectly cast.  He looks the part.  He sounds the part.  Everything about this kid just screams Spider-Man.  I really liked this movie.  Is it perfect?  Hell no.  But as far as doing justice to this character and making a good Spider-Man film, this movie is the closest we have ever gotten, and part of me is worried that Sony is just going to fuck that up down the road.  Let’s talk about it.

The plot picks up 7 months after the events in Civil War, where Parker is back in school and trying to balance being a superhero and desperately hoping to be involved in something larger by Stark once-again.  Meanwhile, there is a villain who actually has a pretty neat motivation secretly working toward a goal, and Parker is the only one who can stop him.  It’s pretty standard superhero fare, but man is it all in the execution.

Once-again, Tom Holland rocks this role.  I feel like I am legit watching Spider-Man live up to his namesake!  The acting is great all-around.  Holland rocks the main role.  His buddy Ned is pretty fun too.  He’s funny.  He plays the sidekick role really well.  Plus, you actually believe that him and Parker are friends.  Their friendship all comes through due to the chemistry of these actors.  Next up we have Aunt May, who is featured much less than I thought in this movie.  They also gave her glasses for some odd reason.  But you actually feel her compassion for Parker.  The love interest in the film is actually a pretty nice character.  I don’t care that they changed her ethnicity.  It’s all good to me.  I liked her character.

A role that stood out to me was the villain.  Everyone knows it’s the Vulture, so I’m not spoiling anything there.  But he is a pretty neat character.  So many superhero films lately have a problem of boring antagonists.  We actually get to see where this man’s motivations come from.  Is he super deep?  No.  But it’s a hell of a lot deeper than the paper-thin villains I have seen in some of Marvel’s movies.  Plus, he is played by Michael Keaton, who totally owns the role.  He is nefarious and in it for himself, but you can see where he’s coming from.  And I like how they were able to get past the whole “we’re not so different” angle in this film in a pretty clever way.

But there is one performance that just bugs me – Mary Jane.  Do I care that they also changed her ethnicity?  No.  Not even a little.  What I do care about is the fact that they made her into the biggest garden-variety SJW ever!  She’s annoying.  She’s preachy.  I half-expected her to talk about her Tumblr page, it’s that bad.  How Peter is going to get past that and want to be with her in future films is beyond me.  This character was downright insufferable.  Is this a nitpick?  Absolutely.  It didn’t hurt my enjoyment of the film overall.  See, I can handle SJW pandering so long as it’s in a good movie.  But whoever directs this next, can we PLEASE make this character a little more likeable?

Tony Stark also comes back, and I was a little disappointed in this.  Robert Downey Jr was fine and all, but I was kind of thinking that Stark was going to go at this from the angle of him trying to become a father-figure in Peter’s life.  They framed it that way in the trailers.  There is one exceptionally-good moment where he is castigating Parker, but that’s pretty much it.

Finally, I have to talk about something which is a minor spoiler.  Spider-Man unlocks an AI program in the suit Stark left him, and she is entirely too much fun.  The scenes where her and Parker are arguing about stuff are just great.  Desperately hoping this character becomes a mainstay of the series.

The effects and action in this movie are pretty good, but since this film is really character-driven, I honestly don’t have much to say about that.  Vulture was a pretty good villain.  Seeing Spidey doing his thing is pretty awesome.

The final thoughts on this movie is that it’s loads of fun.  It’s not perfect.  It’s being held back by the fact that it has some scenes that drag and an SJW-tastic character who was grinding my gears every time her preachy ass was on screen.  But overall this was loads of fun, and it is my favorite Spider-Man film to date.  But here is where I am worrying.  Sony has said that after the last Avengers film, they are cutting ties to Disney’s Marvel.  Please don’t.  These people know what’s what!  Having their input has gotten you so much farther.  Let them stay involved.  Granted, Kevin Feige is leaving the MCU after this, which is when I plan on tuning out, so maybe it’s all for the best.  We’ll see what happens, but at least I finally got ONE good Spider-Man film that makes me believe this character is Spider-Man.

Final Verdict
8 out of 10

Peace out,

Maverick

Lucien’s First Take: Black Panther Teaser Trailer

When I did my review of Captain America: Civil War, I said that I honestly didn’t really know where they could go with a Black Panther film.  He is my second-favorite character in the film, due entirely on the incredible performance of the actor.  That man sells that role.  Marvel’s films have done some damn good casting lately.  Robert Downy Jr as Tony Stark, Benedict Cumberbatch as Doctor Strange, the kid as the new Spider-Man, and now Chadwick Boseman as Black Panther.  Perfect casting.  But my perspective in my review still stands.  He’s the Black Panther, and a ruler of a powerful nation that is hidden away.  Where can they possibly go with that?  It’s a little late to get to it, but the teaser was released.  Let’s see.

We start off getting to hear Martin Freeman’s terrible American accent.  No joke, they should have just gotten Hugh Laurie to do the role.  He probably would have been more fun too.  Then we have Andy Serkis coming back from his role in Avengers: The Waste of James Spader’s Talent.  He’s saying that Wakanda isn’t nearly the backwater tribal society that people think.  Okay, liking it.  Some legit nice backdrops.  There is a cool juxtaposition between this waterfall scenery the Panther is at with the tech airplane he is leaving on.  Is the idea of the ancient and the modern clashing gonna come into play?  That could be cool.

The montage that follows seems to paint the film more as a story about Wakanda itself than the titular character.  I kinda like that.  I can’t honestly think of a Marvel film that has done that so far.  Making a movie about a nation and the struggles of being in the modern world is a neat angle that I can see either being done very well or fucked up so horribly bad.

Which is kind of my thought overall of this teaser.  I’m definitely not gonna watch any more trailers for the film.  I genuinely want to be surprised when I see it.  Modern trailers have a bad habit of ruining the entire plot of a film.  I think that’s what’s happened with Spider-Man: Homecoming.  I wouldn’t know.  After I saw how trailer 2 was spoiling the film I stopped it.  Black Panther is either going to be a very interesting dive into a nation and the people in it, or a preachy film about how evil western culture is.  Please don’t let it be that.  Please don’t let this be SJW jerk-fuel.  Marvel has thus far been pretty good about pandering to the forced-diversity crowd.  They want their works to appeal to a mass audience.

But this is new territory.  A piece about a nation and its ruler being unsure where they fit in in the changing world is a tough thing to get right.  I’m going to give this film a chance, though.  Here’s hoping it doesn’t disappoint.

Initial Verdict
7 out of 10

Peace out,

Maverick

The Cinematic Universe Trends Needs to Die

It really does.  It really, really does.  Seems like every film company is trying to find a way to make their own cinematic universe crap, and it is producing some of the stupidest films ever made.  People don’t realize that Marvel really found lightning in a bottle with their cinematic universe.  And part of that was having a fan of the comics who stood his ground on making the films true to the source material that he was adapting.  This concept could have been done so much worse.  There are stories about how Disney and the current head of the MCU have clashed on ideas which shows that if Disney had had their way, it would have been a lot worse.

However, it seems like every film company under the sun wants to have their version of the cinematic universe, and without a single exception they all suck.  Don’t come at me that Wonder Woman is awesome.  I’m sure it is.  Haven’t seen it.  Will Netflix it, someday.  But the DCEU is dead on arrival right now, and unless they have some good films to build on the ground they have FINALLY laid down, then it will still die.  Not unlike how the Ghostbusters remake’s attempt to make a universe are dead.  Or how Universal’s pathetic attempt to form the “Dark Universe” died right out of the gate.  Not to mention the Star Wars new extended universe.  And on that note…

Rogue One sucked!  I finally watched it, and I am going to do a review of it, but here’s my Cliff Notes – it sucked.  I don’t get why people are saying how great it was.  The film was boring.  So unbelievably boring.  Every single character in the film is boring.  Listening to Darth Vader make a stupid pun hurt me inside.  The plot was bad.  The CG faces for characters was bad.  Nothing about it was good.  How so many people could sing its praises is beyond me.  I genuinely believe it is just sad fanboys/girls who so desperately want Star Wars stuff in their lives that they will say that anything is good.  Just like how they sing about how great Episode VII was, when I couldn’t escape the fact that it is virtually a shot-for-shot remake of the original, except with a chick who can’t act and Emo Vader with his retarded-ass lightsaber.  Now they are making more films that no one asked for.  How about they release Star Wars: 1313?!  There’s something I actually wanted to see.

My point in all of this is simple – these cinematic universes need to go.  Marvel is already planning to bring theirs down a few pegs once the Infinity War films are done.  I saw that James Cameron wants to make a cinematic universe for that Avatar films.  Every company under the sun wants to try their hand at exploiting nostalgia by remaking old films in a way where it sets up for a cinematic universe.  These films are almost-exclusively terrible, and they are wasting money that could be put to better use in better films.

After all, we didn’t want a DCEU.  We wanted good DC films!  I don’t want a Dark Universe.  Nobody wanted that.  At all.  Not one person asked for that, and no one is going to miss it now that it is pretty much dead.  Nobody is asking for an Avatar universe.  The SJWs died on the hill that was the Ghostbusters remake.  I am honestly getting bored of the endless sequels.  Remakes might FINALLY be seeing a downturn now that they have become more and more box office poison.  Reboots too.  If only video games could learn a thing or two from this and be done with the endless sequels and give us some new IPs too.  There’s a thought.

Just think of all the talent being snubbed because Hollywood wants to cash in on some other form of nostalgia.  Think of the better films that could have been made if Hollywood had, instead of trying to make another stupid cinematic universe that will NEVER get the traction Marvel did, put their money into some of the smaller projects sitting on their desks?  What unseen vision is out there that will never see the light of day because the corporate dumbfucks who make movies are too busy making cash grabs?

What’s more, part of me is worried that now Hollywood has decided to just abandon the domestic market with films and instead make movies now intended just for foreign audiences.  Red Letter Media made a good point when they talked about the new Mummy film when they said the level of exposition seems like it wasn’t being made for American audiences.  It’s being made for foreign ones.  One of the biggest defenses people have for crappy movies is that they are able to recoup their money overseas.  That may be true.  In which case, will Hollywood just make safe movies for the US that they know will dominate overseas?  Stop caring about the local audiences for easy cash?  If that’s the case, why should I even go to the movies anymore?  I see trailers these days and I honestly don’t care.

As I said, Marvel caught lightning in a bottle.  That isn’t something just anyone can do, and instead of learning that lesson, Hollywood is content to just churn out more of this bait to lure people back in.  And it needs to stop.  The thing that really blows my mind is why Universal actually believed there was a cinematic universe potential in old monster movies?  That seems both short-sighted and desperate.  Is this a sign of how the film industry is doing overall?  Depressing.

Until next time, a quote,

“Hollywood has become hopelessly chained to the bottom line.” – Bruce Campbell

Peace out,

Maverick

Hollywood Needs to Stop Making Remakes

I am so bored with movies these days.  Between the endless sequels, and the unending reboots and remakes, why should I go to the theaters when I can just as easily not watch those films at home?  Not even going to see the next Star Wars.  Finally got around to watching Rogue One.  It sucked.  It was boring.  I’ll admit that it made the Rebels kind of look like terrorists, which is how I always saw them so that worked out nicely, but the rest was boring.  Everyone tells me that Episode VII was so awesome.  You know what I see when I saw that film?  I’ll tell you – a really poorly hidden remake of the original film.  That’s it.  It’s a remake of the first film, but with a chick.  I am not impressed.

Which brings me to my latest bit of news that I saw – the Baywatch film has flopped.  What a shock.  When I saw the ads for this movie, I was genuinely confused.  I never even watched the show, but I remember what the draw for it was back in the day – Pamela Anderson and her really big tits bouncing in swimsuits along with Carmen Electra.  It wasn’t that hard.  To be able to remake this concept should be simple.  Granted, in today’s politically correct charged society, I do wonder if people would gravitate toward a film with hot women and big tits in swimsuits, but I bet it would still sell well.  However, that isn’t what they did, is it?  No, instead we got some kind of buddy-comedy with The Rock and some other fuck who I don’t really know or care who they are.  Wait, what?  I saw only one ad with hot women and they didn’t exactly have huge tits bouncing.  Why is there no bouncing?  Where are the big boobs?  In that moment, I realized what had happened.

The Hollywood machine got its claws into that film, and it became the latest in the series of poor decisions that they have made when remaking something to not even give the slightest of fucks about what the draw was to the source material.  Instead they have to make it some bullshit that trades simply in name recognition.  Because hey, why not sweep the bottom of the barrel?  To be fair, that was pretty much what the show was.  It was porn without the porn.  Hot bouncing tits under the skimpy clothes.  The shoe was to give guys boners.  Sure, there were some hot dudes in there too just to get the ladies all moistened, but we all remember the ads.  This was for the lowest common denominator.  But the series was aware of that.  There was no question about it.  Same way Magic Mike was about the lowest common female denominator.

Hollywood has this habit lately of taking properties with name recognition and deciding to remake or reboot it while not even beginning to remember what drew people to it in the first place.  For example – did you see that the remake of Jumanji is coming out in the next year or so?  Oh boy.  The poster for it looks retarded beyond belief, and it’s another film that The Rock can add his name to that is stupid in the extreme, but it’s happening.  Another CG orgy that will totally miss the practical effects which help cover the original film’s terrible animations that have not aged well at all.  Not to mention it shits on Robin Williams’ legacy when he was at his peak.  But Hollywood clearly doesn’t care about that.  They are remaking The Crow, after all.  A classic superhero film that Brandon Lee gave his life for.  The lasting piece of his legacy.  I refuse to see that movie.  Period.  I will not give Hollywood money for spitting on the death of a man who tried to do something amazing.  Especially after they ruined the sequel to the film – City of Angels.  Take a look at the link I attached.  The story of a truly great film that will never be just hurts me inside.

What can we learn about all these remakes and reboots?  First – Hollywood is out of ideas.  Instead of making original content to give to the masses, they give the same recycled bullshit that they know will make a shit-ton of money.  Since the masses clearly as stupid as fuck, they will see whatever new superhero film it is.  Not me.  After one of the staff at DC came out and said that the Wonder Woman film wasn’t going to be any better than Batman v Superman or Suicide Squad, I won’t even be Netflixing that shit.  20th Century Fox decided to take a risk with two R-rated superhero films that actually did justice to their source material.  Both of which were incredible films.  Both of which were sleeper hits that brought in massive critical and widespread acclaim.  Part of me hopes that Disney will take notice and hand some of their properties off to their subsidiary studios under their umbrella and make a few with their properties.  That’s how they were able to distribute Princess Mononoke, even though it was a VERY violent Miyazaki film.  I doubt it will happen, but a man can dream.  At the very least Disney knows when to begin to step back from superhero films after Infinity War is done.  Props to that.  The MCU had a good run, now it can have a legacy.

The next thing we can learn is that truly amazing films are being passed over.  My favorite film of 2016 was a genuinely smart science fiction film called Arrival.  It was made by Denis Villeneuve, who made Sicario and Incendes.  Both of which were also incredible.  I am a little apprehensive about what the sequel to Blade Runner is going to be, but at least it is in the hands of a competent director.  That’s more than a lot of films can say.  How many films like Arrival are being passed over because they may not sell as much.  I just found out that there is an anime adaptation film being made that probably none of you has heard about it.  It is being personally financed by James Cameron, who has wanted to see a film adaptation of it made for 17 years!  That’s pretty hardcore.  It is already in production.  $200 million has been spent on it.  Don’t have any idea what I’m talking about?  I don’t blame you.  This film is so far under the radar to border on non-existence.  It’s being directed by Robert Rodriguez, and stars Michelle Rodriguez and Christoph Waltz, along with Jennifer Connolly and other big names.  Still don’t know?  It’s called Battle Angel.  A manga that James Cameron was in love with and as I said has been trying to make into a film for 17 years.  Maybe after how hard Ghost in the Shell flopped, they want to keep this under wraps.  Hard to say.

Lastly, the thing we can take away is that Hollywood is bleeding money.  After all, the best they can do is churn out films that are basically tailor-made to do well overseas.  Seems the Asian markets will eat up whatever crap we put out, so long as it has white people kicking ass.  All the SJWs talking about “white-washing” don’t mean much to the markets that have made films that outright sucked like the Transformers sequels into massive successes.  Goes to show – Anita Sarkeesian and her ilk don’t know what the fuck they are talking about.  Shocking, I know.

In the meantime, Hollywood needs to stop remaking movies.  I am hoping that with the failure of films like this and the failure of movies like Ghostbusters (2016), they are starting to see the tide on this crap turning.  Exploiting nostalgic name-recognition isn’t how you sell movies.  If anything, it just reminds cynics like me what we loved the originals so much.

Until next time, a quote,

“Work is making a living out of being bored.” – Karl Lagerfeld

Peace out,

Maverick

SIONR: I’m Getting Tired of Superhero Movies

Did you know that there are currently 36 superhero projects in the works?  Not even kidding, 36.  That’s fucking crazy.  And I am going to put this out there – I’m getting tired of it.  After Avengers, the novelty of the Marvel Cinematic Universe is starting to wear off.  I think the problem is that these films are being made too often.  I barely get a chance to appreciate something being unique and interesting before something else comes along.  What’s more, the formula is getting old.  There are only so many times that I can watch the hero save the day and not be bored by it.  Sure, it’s supposed to be about what gets you there, but the problem is that I am tired of it.  I don’t get other people aren’t too.

Let me put this in context.  Some of you might be wondering how I have this opinion, given how I enjoyed Guardians of the Galaxy.  In hindsight, I was a little overly-nice to that film.  I was just too captivated by the cool soundtrack and the comedic take on the superhero genre.  But the reality is that take that away, and that film is as by-the-numbers as it gets.  How has this formula not gotten stale with people?

Then there was Deadpool.  A film that was completely non-serious, gruesome, funny, and filled with self-aware riffing on its own genre.  That is one of my favorite superhero films, to date, and will likely stay there for a long time.  Was it predictable?  Sure, but the thing that made it stand apart is the fact that it took its own premise to the absolute extreme.  20th Century Fox was certain that film was going to bomb, but they ordered a sequel almost immediately because this film was such a smash success.  It broke all kinds of records, and I am glad to hear they got the same director for the sequel.  Given how much fun Ryan Reynolds had with the role, I am hoping that he is just as much in love with the next film.  It will have Cable in it, so I can only see good things ahead.

A couple years back, I did a review of Captain America: The Winter Soldier.  That is also one of my favorite superhero films.  Not only was the action slick as fuck (I could watch the first fight scene between Cap and the titular villain over and over.  It is awesome), but it took on some much darker themes.  Things like how the Cap was dealing with being out of time.  How he was very much alone in this world, and kept busy with SHIELD so he didn’t have to think about it.  He acknowledged that outside of military service, he has no place in the world.  What’s more, even though the hero wins in the end, it’s a bittersweet ending.  Cap still is very much alone, since his friend saved his life, only to abandon him.  I loved that!  You can’t believe how stoked I am to see the latest film Civil War.  Just like the last film, this isn’t so much a superhero film as a political film with superheroes.  Now we get to see sides who have gotten along so well fighting it out.  New characters are being introduced.  Add some amazing fight scenes, I can’t wait to see what’s coming.

All I want is some superhero films to buck the trend.  Give me a movie that brings something new.  How’s about, instead of releasing a ton of yearly films, we release a film or two every couple years.  Let’s take the time to really make quality movies.  Disney is too much of a cookie-cutter company to have the balls that 20th Century Fox did.  They took a huge risk with Deadpool, and it showed in the film’s meager budget.  I love that joke that Reynolds made in the film where he acknowledged that there were only two X-Men, commenting that it’s almost like the film had no budget or something.  Fucking classic.  Disney will never have those kinds of guts.

I lament the death of some of the more violent superhero films.  There will never be another Punisher film like the one in 2005 starring Thomas Jane.  I love that he was in a fan-film sequel to that movie that was done by the same person who directed the criminally-underrated film Dredd.  Check it out (link here).  Oh, there’s another film which will never have a sequel, and that kills me.  Dredd was awesome.  Then there was the original Blade.  Just the original.  The sequels were garbage.  Or The Crow.  The original there too.  Did you know they are doing a remake of that?  Yeah, because let’s spit on Brandon Lee’s memory.  Fucking pricks in Hollywood.

The reality is that Disney buying Marvel was cool for a while.  Now it’s gotten boring, and all because they have to be family-friendly.  How I wish that we could get a Deadpool caliber film with other comic book characters.  Like Wolverine!  Or Gambit!  Specifically Gambit.  I heard that a film about him was cancelled.  Much shame.  That could have been as equally-violent and awesome.  Or maybe a film based around Spider-Man’s nemesis, Venom.  A Venom movie, where we get to see him as a violent anti-hero who does good things for all the wrong reasons.

Let me know what you all think in the comments.  Am I just being pretentious, or are you all as tired of how predictable these films are too?

Until next time, a quote,

“America is the first culture in jeopardy of amusing itself to death.”  – John Piper

Peace out,

Maverick