SIONR: Incredibles 2 and the Death of Pixar

I’ve repeatedly said that Disney is pure evil and they destroy everything that I love.  They turned one of my favorite films into a fucking Kinect game.  That’s how bad they are.  They take good ideas or properties and turn them into shit.  Most recently with Star WarsThe Last Jedi was a dumpster fire, and if what I am hearing about the latest film in the franchise, it went through three directors, had multiple rewrites, and the guy who plays the titular character not only looks NOTHING like him (he’s a fucking pretty boy.  Nothing even remotely roguish at all), but can’t act his way out of a paper bag.  They had to hire an acting coach for him after shooting the bulk of his scenes.  So yeah, that will be a dumpster fire too.  I mean, they barely show this guy in the trailer for his own film.  If that isn’t a sign that this movie is dead on arrival, I don’t know what is.

Now we come to The Incredibles 2.  I really liked the first one.  It’s not my favorite Pixar film, but it’s up there.  A film about a family of superheroes, mixing some fantastic action, great scoring (the score for that film is phenomenal), and both superhero and human elements to make a great story.  It balanced out every character to give them an arc and show them grow.  It’s great stuff.  Then the trailer for the sequel dropped.

This film looks terrible.  So, we go from a story about a family of superheroes, to the mom being off doing stuff, while the dad is being a stay-at-home dad with superbaby.  Wow.  That’s so boring that writing it I felt myself lose energy.  Who thought this was a good idea?  I mean, all the creative potential that a sequel of this film could be.  Like, it’s been many years since the first one.  Why not age the characters up a little?  Have them dealing with the reemergence of superheroes in society and them being kind of swept up in things?  Or maybe have them still having to be in the shadows and yet still doing good, now accepting their desire to be heroes, yet still being trapped behind a screen of anonymity.  All the cool ideas are there, but what is the final product?  Stay at home dad and superbaby!  Oh boy!

It hurts me inside to think of how Pixar has died.  It really has.  While the death of 2D animation breaks my fucking heart (it is an art form that has died and will likely never come back in the way it once was with the old Disney magic), I did grow up with this company.  I remember seeing Toy Story and thinking it was crazy cool.  My favorite of their films, Ratatouille, is a charming story.  The Incredibles combines so many good elements.  This studio once was believed to be setting the new standard in kids movies story-telling.

Then Brave happened.  With that movie I felt something.  There was a shift in the films that they were putting out, and the content immediately starting getting progressively worse.  You’d have films that stand out in the crowd, but the bulk were either really mediocre or outright bad.  Plus, a lot of their staff was now under Disney directly making some of the biggest bargain-bin garbage ever put to film.  Films that were made only to help the influx of capital for the fiscal quarters they were made.

When I heard that they were doing a sequel to The Incredibles, my heart leapt.  Finally, a return to form!  Get some of the classy style that was modeled first in 2D drawings and then put to digital models.  Great voice acting, great score.  All the potential was there!  Then the trailer drops and I realize that I’m seeing yet-another bargain-bin movie that everyone will forget about just as fast as they did Monster’s University or Cars 2 (or the original Cars for that matter).  This kills me inside.

Disney is like the film version of EA.  They take IPs and studios with good ideas and then run them into the ground.  Does it not blow your mind the way it does mine that there are over twice as many mediocre/bad films in the Star Wars franchise as there are good ones?  Over six!  That’s insane!  Marvel has been kept from joining these ranks simply because Kevin Feige is at the helm.  Once he leaves, they’re next.  It took a man with vision and a passion for the source material to keep this genre from becoming bargain-bin shit too, and there are people who make the argument that the brand is getting old.  I think I have avoided this thought process simply because I only watch the films in there that I think look good. Pixar is gonna be their version of Visceral Games, one of these days.  It hurts me inside.

Until next time, a quote,

“Turians think they know a thing about a scorched-earth response.  Fuck ’em!” – Jack, Mass Effect 2

Peace out,

Maverick

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Lucien’s First Take: Venom – Official Teaser Trailer

This sucked!  This is the worst trailer I have ever seen, in the history of trailers that are meant to get people’s hype up.  What the fuck was this?!  I have never seen a trailer so bereft of essential material to what they are trying to market in the history of movie trailers.  This trailer could be for anything and I don’t think that anyone would see the difference.  This could be for any retarded action movie and people would not be able to tell the difference.  I hate this trailer, and it is making my expectations for a film that I am GENUINELY hoping is awesome fall to the fucking floor.  Can Sony PLEASE sign over the rights to everything in the Spider-Man film to Disney already?!  They can’t fuck it up worse than they have.  I could go on and on about it, but let’s show the trailer so you can see what I mean.

Do you see what I’m talking about?!  What did we learn in this trailer?  That Tom Hardy’s accent is odd?  I know that Hardy is an amazing actor.  I’ve loved him in everything I have seen him in.  Even in movies that I think are horribly flawed, like the last Star Trek film that he starred in as a young Picard, his role was still fantastic.  So what is up with his accent?  You know what, never mind.  Hugh Laurie’s accent wasn’t great either but I still loved House.

Where is the titular character?!  I get that this is an origin story, but only showing a brief little tidbit of a symbiote is not going to get me excited for this film.  They are talking about fucking Carnage being here.  They are saying it is going to be a violent R-rated film.  Why are they not leading with that?!  Let’s see some of the violence!  I get that it’s smart to keep the full reveal of the character for the film itself.  Too many films play their hand too early.  I do want to be surprised.  But you can still do that and have a trailer that doesn’t cheat everyone of at least a glimpse of what they are supposed to get excited about.

Let’s see some of Carnage’s violence?  He rips and tears people to pieces.  Let’s see some dismembered bodies!  Let’s see some of the twisted death in his wake.  That’s a neat idea!  Have a flash where we get to see him, or how about the titular fucking character?  Maybe have Tom Hardy finding the symbiote?  Why not that?  There are so many better things they could have done, and not one of them was done in this fucking trailer!

What blows my mind is how many positive votes it has.  Did we watch the same trailer?!  I don’t think so, because all I saw was meaningless voiceover that could be for anything, shots that could be for anything, without a single semblance of rhyme or reason.  This was actually worse than the Solo trailer.  By the way, that looks like shit too.  The pretty boy they got for the role looks NOTHING like the character.  That film will suck.  But back to this movie, this trailer was shit and it has set the bar incredibly low for a movie that I want to see and genuinely hope is good.

Fuck…

Initial Verdict
3 out of 10

Peace out,

Maverick

Black Panther and SJW Racism (Against Black People)

Something I have always and will always believe is that the people who say that they are the ones who are leading the charge against a cause are typically undermining it to one extent or another.  As an example, more and more male feminists are being outed as sexual predators.  Turns out, unless you are a Ryan Wiley little bitch, a lot of these guys are just using it to troll for pussy.  Who would of thought?  Then there are the religious groups against pedophilia, which there are some truly amazing stories of pedophiles within their ranks.

One thing that routinely comes up in what I see is how SJWs are some of the most bigoted groups of all, but not against white people.  It’s against other people.  One of my favorite forms of racism/sexism that they propagate is the racism/sexism of lowered expectations.  “We need to lower our standards for intelligence or academic achievement because X group can’t measure up!”  These people say that society is too hard for X group, and so it needs to change because they are either too stupid or too weak to be able to handle it.  That sort of thing always blows my mind.

The Black Panther film is coming out next month, and I have seen all kinds of ridiculous things being said by the regressive left about this film.  My favorite is that it’s the first black superhero film.  Whoever did that article deleted it pretty fast when the Internet sleuths were up their ass within seconds.  Much like the person who wrote the article about how the captain in Star Trek: Discovery is the first black captain was rightly vilified.  Or there are the people who wrote articles about how the fictional nation of Wakanda is how Africa would look if it wasn’t for the white man.  A statement so ludicrous that it makes me chuckle a little.  Then there was this little nugget of bullshit that made me stop for a second.

This whole diatribe is racist.  It really is.  Against black people.  Why?  Because these people apparently believe that being able to identify with a black person is something that someone has to learn.  You can’t just be born with empathy (or “cinematic empathy,” as this retarded writer put it) and be able to identify with a person because of our shared human experience.  It’s something you have to be taught.  Unbelievable.  Does that mean that this person had to be taught not to hate black people?  It’s what they believe “white nerds” have to be, so clearly it means that they weren’t born with empathy towards other races.

I also hate how it’s “white nerds” who are so fucking racist.  If there is ANY group of people who is open to other races and other cultures, it is nerds.  There is real data to back this up.  Since nerd culture is now millennial culture, it has been shown that this latest generation is the most open and accepting culture that has ever been.  And the larger part of that are nerds.  The media likes to characterize nerds as the kids who are on voice chat in CoD calling people racial epithets or attacking women because they are playing video games.  Meanwhile, there are pictures from Cons and nerd events showing people of all stripes,  There was a great juxtaposition of a social justice event filled with white people, while a fighting game tournament had people of every ethnic group you can think of representing.

Nerd culture has always been the dog that the powerful can kick around.  As much as I would like to count myself among them, I’m a pathetic hipster who doesn’t stream on Netflix (I do DVDs because a lot of what I want to watch doesn’t stream.  Not gonna wait for the off-chance for it to come to their streaming service one day when I want to watch it now) and works in a cubicle getting yelled at on the phone all day.  Nerds are easy to make fun of.  They’re typically socially awkward, they engage in hobbies that as much as nerd culture has become part of the mainstream, the really devoted practitioners of it are still treated like shit.

With all the vitriol being thrown around about white people being so awful, is it any wonder nerd culture is so done with this?  You have people like a Samoan man I work with who was with me in hoping that this film doesn’t go the “white man is evil” route.  He made a joke about him not being white and still thinking that because he wants a good comic book film, not a sermon with a man in a superhero outfit.

Do these people just not think that I’ve ever seen a black person in a film and been able to empathize with them?  I saw the original Blade and empathized just fine with the cruel nature of Blade’s existence, and the tragedy when his mentor and friend dies, and the reality that he is stuck in a war he will likely never win.  I identified with Solomon Vandy in Blood Diamond trying to do the right thing and being led along by a man only in it for himself.  I identified with Imad ad-Din al-Isfahani in Kingdom of Heaven, who couldn’t kill Balian because he had shown him kindness when he could have kept him as a slave or murdered him outright.  Not a black character, but you see my point.  Only watch the Director’s Cut of that film.  It’s amazing.  Oh, and one last superhero reference, I could identify with Spawn’s plight in the HBO animated series of the character, who is both a black character and voiced by the implacable Keith David.

This idea that us nerds are just these virulent racists who go around hating black people and who have never seen a black character and empathized with them is a ridiculous stereotype that is rooted NOWHERE in fact.  Not one goddamn place.  It’s a belief by people who subscribe to a mindset with all the fervent passion of a fucking religion.  That’s what SJWs have – a religion.  The Church of the Regressive Left.

Until next time, a quote,

“I had to remind myself to breathe.” – Lewis Black

Peace out,

Maverick

Lucien’s First Take: The New Mutants Official Trailer

Twentieth Century Fox has really shown that they are willing to take insane risks with their properties.  First it was with Deadpool, then it was with Logan.  The first was a very light-hearted and violent film that never went too hard-R.  The second was a grisly and very grim film that went insanely hard-R and didn’t shy back from the violence.  I really like that.  This new film has decided to take another strange turn, into an avenue that I honestly never saw a Marvel film taking before now, and I am so desperately hoping it is financially successful, so other films can learn from this example.  Now they are going straight-up horror.  I find this fascinating.  There’s a lot to unpack here, so let’s get into it.

We begin by seeing shots of a dark establishment.  There are lots of gravestones with code numbers that are very reminiscent of the ones the kids had in Logan.  We have “We Don’t Need No Education” playing in the background.  Is the idea that this place is a school?  An odd choice, but I’ll go with it.  There is a woman grilling a small child, asking if she has ever noticed strange things happening.  Then the question comes up – have you ever heard of mutants?

This leads me into wondering where in the timeline this film takes place.  Part of me figures that it takes place in the same universe and timeline as Logan.  It fits.  After all, how else would you explain the fact that no one seems to know what a mutant is?  Society has forgotten about them.  They’ve been dead for a generation and now we have new mutants coming along.  Lots of cool implications there.

It cuts to the doctor talking to a new kid about the fact that baby rattlesnakes are more dangerous than adults because they can have more deadly bites.  Interesting.  A metaphor for the fact that children are more dangerous than adults?  Neat thought process there.  Get to meet a couple more mutants, including a blonde girl.  The doctor says that these children are dangerous, which leads to one of the kids hearing noises come from a washing machine.  The kid gets closer, until a hand slams onto the door and flames come out.  Okay.  Lots of questions.  Why was that kid in there?  Why are flames coming out?  This is weird.

Then it gets to the montage of stuff, and this is where it got my attention.  The aforementioned doctor is all cut up.  Okay.  One of the mutant kids has blood on her finger and then faces start meshing through the walls.  Interesting.  A kid describes this place as not a hospital, but a haunted house.  That line is kind of dumb, but at least it informs the idea that this place is painted as a place of healing, even though it’s much more likely that it’s some kind of Weapon X type facility.  There’s someone in a weird mask.  Horror movie trope #1,000,000.

We see more and more chaos surrounding these mutants.  What interests me is the idea that if it’s the kids themselves or something outside them.  So maybe this film takes place before any of the mutants from other films are discovered?  Like, these are some of the originals and now we’re seeing the chaos they are able to cause because no one knows how to stop it?  Lots of interesting questions here.

Here’s the thing – a comic book themed horror film is a fantastic idea.  That’s what Ghost Rider should have been.  I genuinely believe this idea could work.  The thing is that this trailer doesn’t tell us much.  Especially if the film wants to go hard-R.  Please tell me it does!  You know what this film needs – a Red Band trailer.  We need to know if it’s going as twisted and dark as its predecessors have.  Please tell me does.  Please let this be a film that takes all the balls 20th Century Fox has gotten with their darker superhero films and runs with it.

But my worry is that because this film doesn’t have the name recognition that Deadpool or Logan did that people will ignore it.  They’re releasing this in April.  What a random time.  I for one mean to see it.  I need to know.  Hopefully all of you do too.  Let’s not let a potentially interesting idea languish on the vine.

Initial Verdict
Intriguing

Peace out,

Maverick

Lucien’s Review: Guardians of the Galaxy, Vol. 2

What a weird year for Marvel films.  Everyone says that they’re getting tired of all the Marvel films, because they’re so predictable and stale.  Part of me thinks that someone at Marvel heard that, and has been eager to change things up.  And wouldn’t you know it, but this year has delivered two very good films that may not have shaken the formula to its core, but at the very least have made things different enough to have people enjoying them more.  Nowhere was that more apparent than with the sequel to one of the funniest films in the MCU, Guardians of the Galaxy.  A film that not only had some surprisingly good character development, but a villain who actually caught me off guard.  Sure, the formula is there, but at least this film plays with it, and it actually feels like it is expanding on the lore of these characters, rather than just retreading old ground.  Let’s talk about it.

The plot goes that sometime after the events of the first film, the Guardians of the Galaxy are now for hire heroes that do nice things for pay.  Not a bad racket.  However, after Rocket decides to fuck things up for them because he can’t stop himself, Quill’s father comes back into the picture.  Backstories are explained, and characters’ true motivations are revealed.  A villain who actually has a motivation that isn’t just copy-paste comes up and now another battle is on to save the galaxy.  Like I said, it still has that formula, but it does it oh so well.

I’ve complained to no end how films are now basically just becoming endless CG bugs me, and I would be lying if I said that it wasn’t the case here.  This film is ALL about the CG.  It’s fucking everywhere.  That being said, it was still pretty.  I think the director knew that everyone would be noticing the constant CG so he took a very interesting tactic – use brilliant colors as a way to offset people’s disdain for it.  That’s pretty clever!  The same thing was used to good effect in Doctor Strange, though this film also had color used for comedic effect at times.  Constant, vivid colors was all over this movie, and I’m genuinely glad it was because otherwise I would have been rolling my eyes a lot over how fake so much looked.

Which is one one of my flaws.  It’s pretty clear that while Baby Groot was cute as fuck, he was never in the shot and everyone who pretended to interact with him wasn’t really interacting with him.  That was painfully obvious.  Plus, yeah, some of the sets were so blatantly just people in a room with green-screen absolutely everywhere.  I’m honestly glad I am not one of these people who watches making-of videos of movies, because I bet watching people just being in green rooms acting is both depressing and funny.

The film also brings back it’s truly fantastic soundtrack.  I love the musical choices in these film.  How each track is used also perfect goes with every scene that it goes into.  The opening is the most known and parodied, but there is a ton of places that each track is used well.  This director knows his stuff oh so well.

Speaking of, the comedy in this film is so on point.  It’s kind of nice to see a film where all the heroes are pretty much anti-heroes pretending to not be.  These people are such assholes!  I love it!  Every single character in this film is kind of a douche, but the chemistry between all of them is just fantastic.  My favorite is still Rocket.  This guy is such a dick.  He is the biggest anti-hero of them all, but the way he plays with that just makes him so lovable.  Maybe it’s that inner asshole in me who can’t get enough of it.  Hell, even Drax is funnier in this film.  His complete lack of a filter is just too perfect.  Plus, he said one of the most cathartic lines to me on a personal level.

“When you’re ugly, people love you for who you are. When you’re beautiful, you don’t know who to trust.”

For someone who struggles with body image issues due to balding that isn’t especially pretty, this strikes such a chord to me.  My self-loathing is a constant struggle.

Overall, this isn’t a perfect movie.  Yeah, the formula is still there.  But it still feels like a breath of fresh air.  I’m glad I got to see this on Netflix.  A good Spider-Man film and now a good sequel to a flawed original that takes it to the next level.  With the MCU looking to wrap up now that Infinity War is coming, I genuinely think I’ll be able to look back fondly on it.  Marvel caught lightning in a bottle, which DC is now pathetically trying to imitate.  What a shame.

Final Verdict
8 out of 10

Peace out,

Maverick

Lucien’s First Take: Marvel’s Spider-Man 2017 E3 Gameplay

I meant to talk about this months ago, but I am finally getting around to it, because there is a lot to unpack.  Here’s the thing about probably 95% of superhero games – they suck, or are really mediocre.  Especially the ones licensed to films.  Licensed games are the worst thing under the sun.  After the SNES and Sega Genesis, they were all nothing but crap.  So when I heard that Insomniac is making a Spider-Man game that is officially licensed by Marvel, I was groaning.  I mean, Insomniac games are awesome.  They made the Ratchet and Clank games, which are awesome.  But a superhero game to come directly from Marvel?  This has bad idea written all over it.  This year at E3, however, they released a gameplay trailer that has taken all my skepticism and destroyed it.  It looks awesome, so let’s take a look at it now.

Right out of the game, the visuals for this game are amazing.  The level of detail is just perfect.  It’s pretty standard, for a modern console game, but you know what, it’s great.  Definitely hoping we can either customize or get new suits for the web-slinger, but I do like this suit.  Not too worried about that.  Switchable suits has been a standard for Spider-Man games since their inception, so it’s all good.

The control scheme for this game looks pretty simple.  I can clearly tell that almost all of it will be about staying above your targets.  The stealth elements look absolutely phenomenal.  One of the things I always thought was kinda dumb about Spider-Man games is that they don’t take advantage of the elements of getting enemies from above.  Sure, his suit ain’t exactly made to sneak, but you can still hit an enemy from above without them seeing you coming.  Since Spider-Man never kills his foes, we don’t have to worry about non-lethal runs of the game.  Exciting stuff.  The controls for getting back up to beams or on top of objects are taken right out of the Arkham games.  No problem with that whatsoever.  It’s totally fitting for our friendly neighborhood hero.

We also get to see some potential gadget stuff in this game.  Another thing I am digging that seems to have come straight out of the Arkham games.  Desperately hoping that they don’t just copy that formula beat-for-beat though and give you some freedom to customize the stuff you use and be able to craft specialty stuff.  Really wondering how the leveling up system is going to work.  You also can use the environment to fuck up enemies!  That’s awesome!  I love it.  Later on we get to see that done even in combat scenarios.  Manipulating the environment in active combat and not just for stealth is a break from the mold they clearly are going off of, and I think that’s a great one.  But the stealth aspect of this game is really something.  Not gonna lie, the more potential I have to be stealthy, the happier I’ll be.  It’s my favorite way to play a game, and it looks like I get to scratch my itch here.

Then we get our first peek into the combat.  Now here’s something where I want to elaborate on how this game is using the Arkham formula.  A lot of people are saying that that’s unoriginal, but you know what, I think it’s goddamn brilliant.  There’s a reason why.  When you fight, it’s clear that you are using the same kind of system they used in Arkham to dodge enemy attacks before they happen.  To me, this formula makes even more sense for Spider-Man than it did for Batman.  Why?  Because of the Spider Sense.  That talent gives him the ability to see what’s about to happen when danger is close.  He gets an almost perfect ability to perceive incoming problems and react to them.  So the indicator system from the aforementioned series is perfect for that!  It also lets you dodge machine gun fire, which, for those who read the comics, is something that Spider-Man could do when he’s at his best.  Since this game isn’t attached to any film or thing like that, keeping it true to the comics is kind of awesome.

From there we get some stuff with a helicopter that shows this game is also taking cues from the old God of War games with quicktime events.  Not gonna complain about that either.  Clearly they are doing the concept right.  Kinda curious to see what all this “HEX” stuff in that clearly is some kind of energy.  This should be interesting.

This game went from being something I figured wouldn’t be worth my time, to one of my most-anticipated games of 2018.  That’s pretty awesome.  Let me know what you all think down below.

Initial Verdict:
Hyped!

Peace out,

Maverick

RAB: Twix Marketing and the Venom Movie

The very definition of a random assortment of bullshit. I was at my terrible, awful, no-good, thankless job today when I walked into the break room and got a look at the vending machine.  Don’t worry, I am not that pathetic.  I was reloading on water.  I actually am trying to take care of myself at this job.  Hence why I go on walks every single day now, multiple times.  But anyway, I get to the vending machine and I see a Twix candy bar.  Twix is my favorite kind of candy, but the thing which caught my eye is what was directly above it – Two Left.  The fuck?!  Then I remembered the retarded-ass marketing campaign of this stuff.

See, the company behind this had this marketing campaign where people were supposed to pick whether they like left Twix or right Twix better.  Like they aren’t the same goddamn candy!  That was stupid all on its own, but since I only caught that crap when I was out at the parent’s place watching TV, it didn’t bother me too much.  But then they decided to expand upon that retarded crap by introducing this newest marketing garbage.  See, since apparently this marketing campaign actually worked (what the fuck is wrong with you, America?!), they made packages that claim to have two left or two right Twix.  Why?  So the stupid monkeys who actually weighed in on this nonsense can have their precious left or right.  Fuck that noise!

As it has been made very clear that Americans are too stupid to get this crap, allow me to explain – you cannot have two left or two right of something in a package!  You have one thing on the left and one on the right!  Ugh!  But then all my retarded-ass coworkers said that I am overthinking this and how this reflects negatively upon me.  Are you kidding me?!  We have an ad campaign that is championing being dumb!  How am I the only person that bothers?!  Come on, people!  In the Comments, someone tell me I am not totally out of my mind here (just watch, now I get so trolled.  Never invite the Internet to do stuff like this)!

That stuff aside, there is another thing that got my attention recently – I saw in movie news that the Venom film is going to also star Carnage as the antagonist.  Really?  Don’t you think you’re kind of putting your best foot forward a little early?  Seems like you may want to see if a first Venom film can work before you pit symbiotes against one-another.  But as I thought about that more and more, it occurred to me – this better be an R-rated film!  Why?  Let’s discuss some comic nerd stuff.

Carnage is a truly grisly villain.  As the comic series has gone on, his body count is fairly astronomical.  The character’s entire schtick is that he uses his body to turn into gruesome weapons and rip his victims to pieces.  That’s pretty cool.  Put to film, such a character would be genuinely amazing, would they not?  Here’s the problem – this is a Sony film.  They suck at making movies!  The new Spider-Man only turned out so well because it was paired up with Marvel.  Tom Hardy as Venom definitely has an appeal to it.  He’s a great actor who can do dark roles very well.  I see him being able to take on something of an anti-hero like Venom and making it go pretty far.  But in a film with Carnage, here’s what I want – a HARD R-Rating!

Not this soft-R like Deadpool.  As much as I love that film, it played it safe in a lot of ways.  Logan was a step further in the right direction when it comes to gruesome comic book films with mainstream appeal.  But that even cut some corners from going too grotesque.  But no more of that with Venom!  If this film is going to have one of the most violent comic book villains of all time, then it better ramp up the death, blood, and gore to 11.  I want to see Venom beating the shit out of Carnage in a place filled with the mutilated bodies of his victims.  I mean, how can you possibly market a film with these two characters in it as a family picture?!

In an age where comic book films are FINALLY willing to take some risks that majorly pay off, this is the film where I want to see it ramped up to 11.  Hopefully that’s how they got Tom Hardy on board.  He is something of a crazy method actor, after all.  That man has brutalized himself in all sorts of ways for his roles.  I dig that kind of crazy.  And for the love of Groj, can we not let Sony get their claws into this film?!  They can only make it worse.  For whatever reason, this studio has a truly amazing record of taking good ideas and shitting all over them.  We’ll never know how that works, but there it is.

Until next time, a quote,

“Just like sardine cans!  Snack time!” – Carnage, Spider-Man: The Animated Series

Peace out,

Maverick