Lucien’s First Take: The New Mutants Official Trailer

Twentieth Century Fox has really shown that they are willing to take insane risks with their properties.  First it was with Deadpool, then it was with Logan.  The first was a very light-hearted and violent film that never went too hard-R.  The second was a grisly and very grim film that went insanely hard-R and didn’t shy back from the violence.  I really like that.  This new film has decided to take another strange turn, into an avenue that I honestly never saw a Marvel film taking before now, and I am so desperately hoping it is financially successful, so other films can learn from this example.  Now they are going straight-up horror.  I find this fascinating.  There’s a lot to unpack here, so let’s get into it.

We begin by seeing shots of a dark establishment.  There are lots of gravestones with code numbers that are very reminiscent of the ones the kids had in Logan.  We have “We Don’t Need No Education” playing in the background.  Is the idea that this place is a school?  An odd choice, but I’ll go with it.  There is a woman grilling a small child, asking if she has ever noticed strange things happening.  Then the question comes up – have you ever heard of mutants?

This leads me into wondering where in the timeline this film takes place.  Part of me figures that it takes place in the same universe and timeline as Logan.  It fits.  After all, how else would you explain the fact that no one seems to know what a mutant is?  Society has forgotten about them.  They’ve been dead for a generation and now we have new mutants coming along.  Lots of cool implications there.

It cuts to the doctor talking to a new kid about the fact that baby rattlesnakes are more dangerous than adults because they can have more deadly bites.  Interesting.  A metaphor for the fact that children are more dangerous than adults?  Neat thought process there.  Get to meet a couple more mutants, including a blonde girl.  The doctor says that these children are dangerous, which leads to one of the kids hearing noises come from a washing machine.  The kid gets closer, until a hand slams onto the door and flames come out.  Okay.  Lots of questions.  Why was that kid in there?  Why are flames coming out?  This is weird.

Then it gets to the montage of stuff, and this is where it got my attention.  The aforementioned doctor is all cut up.  Okay.  One of the mutant kids has blood on her finger and then faces start meshing through the walls.  Interesting.  A kid describes this place as not a hospital, but a haunted house.  That line is kind of dumb, but at least it informs the idea that this place is painted as a place of healing, even though it’s much more likely that it’s some kind of Weapon X type facility.  There’s someone in a weird mask.  Horror movie trope #1,000,000.

We see more and more chaos surrounding these mutants.  What interests me is the idea that if it’s the kids themselves or something outside them.  So maybe this film takes place before any of the mutants from other films are discovered?  Like, these are some of the originals and now we’re seeing the chaos they are able to cause because no one knows how to stop it?  Lots of interesting questions here.

Here’s the thing – a comic book themed horror film is a fantastic idea.  That’s what Ghost Rider should have been.  I genuinely believe this idea could work.  The thing is that this trailer doesn’t tell us much.  Especially if the film wants to go hard-R.  Please tell me it does!  You know what this film needs – a Red Band trailer.  We need to know if it’s going as twisted and dark as its predecessors have.  Please tell me does.  Please let this be a film that takes all the balls 20th Century Fox has gotten with their darker superhero films and runs with it.

But my worry is that because this film doesn’t have the name recognition that Deadpool or Logan did that people will ignore it.  They’re releasing this in April.  What a random time.  I for one mean to see it.  I need to know.  Hopefully all of you do too.  Let’s not let a potentially interesting idea languish on the vine.

Initial Verdict
Intriguing

Peace out,

Maverick

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Lucien’s Review: Guardians of the Galaxy, Vol. 2

What a weird year for Marvel films.  Everyone says that they’re getting tired of all the Marvel films, because they’re so predictable and stale.  Part of me thinks that someone at Marvel heard that, and has been eager to change things up.  And wouldn’t you know it, but this year has delivered two very good films that may not have shaken the formula to its core, but at the very least have made things different enough to have people enjoying them more.  Nowhere was that more apparent than with the sequel to one of the funniest films in the MCU, Guardians of the Galaxy.  A film that not only had some surprisingly good character development, but a villain who actually caught me off guard.  Sure, the formula is there, but at least this film plays with it, and it actually feels like it is expanding on the lore of these characters, rather than just retreading old ground.  Let’s talk about it.

The plot goes that sometime after the events of the first film, the Guardians of the Galaxy are now for hire heroes that do nice things for pay.  Not a bad racket.  However, after Rocket decides to fuck things up for them because he can’t stop himself, Quill’s father comes back into the picture.  Backstories are explained, and characters’ true motivations are revealed.  A villain who actually has a motivation that isn’t just copy-paste comes up and now another battle is on to save the galaxy.  Like I said, it still has that formula, but it does it oh so well.

I’ve complained to no end how films are now basically just becoming endless CG bugs me, and I would be lying if I said that it wasn’t the case here.  This film is ALL about the CG.  It’s fucking everywhere.  That being said, it was still pretty.  I think the director knew that everyone would be noticing the constant CG so he took a very interesting tactic – use brilliant colors as a way to offset people’s disdain for it.  That’s pretty clever!  The same thing was used to good effect in Doctor Strange, though this film also had color used for comedic effect at times.  Constant, vivid colors was all over this movie, and I’m genuinely glad it was because otherwise I would have been rolling my eyes a lot over how fake so much looked.

Which is one one of my flaws.  It’s pretty clear that while Baby Groot was cute as fuck, he was never in the shot and everyone who pretended to interact with him wasn’t really interacting with him.  That was painfully obvious.  Plus, yeah, some of the sets were so blatantly just people in a room with green-screen absolutely everywhere.  I’m honestly glad I am not one of these people who watches making-of videos of movies, because I bet watching people just being in green rooms acting is both depressing and funny.

The film also brings back it’s truly fantastic soundtrack.  I love the musical choices in these film.  How each track is used also perfect goes with every scene that it goes into.  The opening is the most known and parodied, but there is a ton of places that each track is used well.  This director knows his stuff oh so well.

Speaking of, the comedy in this film is so on point.  It’s kind of nice to see a film where all the heroes are pretty much anti-heroes pretending to not be.  These people are such assholes!  I love it!  Every single character in this film is kind of a douche, but the chemistry between all of them is just fantastic.  My favorite is still Rocket.  This guy is such a dick.  He is the biggest anti-hero of them all, but the way he plays with that just makes him so lovable.  Maybe it’s that inner asshole in me who can’t get enough of it.  Hell, even Drax is funnier in this film.  His complete lack of a filter is just too perfect.  Plus, he said one of the most cathartic lines to me on a personal level.

“When you’re ugly, people love you for who you are. When you’re beautiful, you don’t know who to trust.”

For someone who struggles with body image issues due to balding that isn’t especially pretty, this strikes such a chord to me.  My self-loathing is a constant struggle.

Overall, this isn’t a perfect movie.  Yeah, the formula is still there.  But it still feels like a breath of fresh air.  I’m glad I got to see this on Netflix.  A good Spider-Man film and now a good sequel to a flawed original that takes it to the next level.  With the MCU looking to wrap up now that Infinity War is coming, I genuinely think I’ll be able to look back fondly on it.  Marvel caught lightning in a bottle, which DC is now pathetically trying to imitate.  What a shame.

Final Verdict
8 out of 10

Peace out,

Maverick

Lucien’s First Take: Marvel’s Spider-Man 2017 E3 Gameplay

I meant to talk about this months ago, but I am finally getting around to it, because there is a lot to unpack.  Here’s the thing about probably 95% of superhero games – they suck, or are really mediocre.  Especially the ones licensed to films.  Licensed games are the worst thing under the sun.  After the SNES and Sega Genesis, they were all nothing but crap.  So when I heard that Insomniac is making a Spider-Man game that is officially licensed by Marvel, I was groaning.  I mean, Insomniac games are awesome.  They made the Ratchet and Clank games, which are awesome.  But a superhero game to come directly from Marvel?  This has bad idea written all over it.  This year at E3, however, they released a gameplay trailer that has taken all my skepticism and destroyed it.  It looks awesome, so let’s take a look at it now.

Right out of the game, the visuals for this game are amazing.  The level of detail is just perfect.  It’s pretty standard, for a modern console game, but you know what, it’s great.  Definitely hoping we can either customize or get new suits for the web-slinger, but I do like this suit.  Not too worried about that.  Switchable suits has been a standard for Spider-Man games since their inception, so it’s all good.

The control scheme for this game looks pretty simple.  I can clearly tell that almost all of it will be about staying above your targets.  The stealth elements look absolutely phenomenal.  One of the things I always thought was kinda dumb about Spider-Man games is that they don’t take advantage of the elements of getting enemies from above.  Sure, his suit ain’t exactly made to sneak, but you can still hit an enemy from above without them seeing you coming.  Since Spider-Man never kills his foes, we don’t have to worry about non-lethal runs of the game.  Exciting stuff.  The controls for getting back up to beams or on top of objects are taken right out of the Arkham games.  No problem with that whatsoever.  It’s totally fitting for our friendly neighborhood hero.

We also get to see some potential gadget stuff in this game.  Another thing I am digging that seems to have come straight out of the Arkham games.  Desperately hoping that they don’t just copy that formula beat-for-beat though and give you some freedom to customize the stuff you use and be able to craft specialty stuff.  Really wondering how the leveling up system is going to work.  You also can use the environment to fuck up enemies!  That’s awesome!  I love it.  Later on we get to see that done even in combat scenarios.  Manipulating the environment in active combat and not just for stealth is a break from the mold they clearly are going off of, and I think that’s a great one.  But the stealth aspect of this game is really something.  Not gonna lie, the more potential I have to be stealthy, the happier I’ll be.  It’s my favorite way to play a game, and it looks like I get to scratch my itch here.

Then we get our first peek into the combat.  Now here’s something where I want to elaborate on how this game is using the Arkham formula.  A lot of people are saying that that’s unoriginal, but you know what, I think it’s goddamn brilliant.  There’s a reason why.  When you fight, it’s clear that you are using the same kind of system they used in Arkham to dodge enemy attacks before they happen.  To me, this formula makes even more sense for Spider-Man than it did for Batman.  Why?  Because of the Spider Sense.  That talent gives him the ability to see what’s about to happen when danger is close.  He gets an almost perfect ability to perceive incoming problems and react to them.  So the indicator system from the aforementioned series is perfect for that!  It also lets you dodge machine gun fire, which, for those who read the comics, is something that Spider-Man could do when he’s at his best.  Since this game isn’t attached to any film or thing like that, keeping it true to the comics is kind of awesome.

From there we get some stuff with a helicopter that shows this game is also taking cues from the old God of War games with quicktime events.  Not gonna complain about that either.  Clearly they are doing the concept right.  Kinda curious to see what all this “HEX” stuff in that clearly is some kind of energy.  This should be interesting.

This game went from being something I figured wouldn’t be worth my time, to one of my most-anticipated games of 2018.  That’s pretty awesome.  Let me know what you all think down below.

Initial Verdict:
Hyped!

Peace out,

Maverick

RAB: Twix Marketing and the Venom Movie

The very definition of a random assortment of bullshit. I was at my terrible, awful, no-good, thankless job today when I walked into the break room and got a look at the vending machine.  Don’t worry, I am not that pathetic.  I was reloading on water.  I actually am trying to take care of myself at this job.  Hence why I go on walks every single day now, multiple times.  But anyway, I get to the vending machine and I see a Twix candy bar.  Twix is my favorite kind of candy, but the thing which caught my eye is what was directly above it – Two Left.  The fuck?!  Then I remembered the retarded-ass marketing campaign of this stuff.

See, the company behind this had this marketing campaign where people were supposed to pick whether they like left Twix or right Twix better.  Like they aren’t the same goddamn candy!  That was stupid all on its own, but since I only caught that crap when I was out at the parent’s place watching TV, it didn’t bother me too much.  But then they decided to expand upon that retarded crap by introducing this newest marketing garbage.  See, since apparently this marketing campaign actually worked (what the fuck is wrong with you, America?!), they made packages that claim to have two left or two right Twix.  Why?  So the stupid monkeys who actually weighed in on this nonsense can have their precious left or right.  Fuck that noise!

As it has been made very clear that Americans are too stupid to get this crap, allow me to explain – you cannot have two left or two right of something in a package!  You have one thing on the left and one on the right!  Ugh!  But then all my retarded-ass coworkers said that I am overthinking this and how this reflects negatively upon me.  Are you kidding me?!  We have an ad campaign that is championing being dumb!  How am I the only person that bothers?!  Come on, people!  In the Comments, someone tell me I am not totally out of my mind here (just watch, now I get so trolled.  Never invite the Internet to do stuff like this)!

That stuff aside, there is another thing that got my attention recently – I saw in movie news that the Venom film is going to also star Carnage as the antagonist.  Really?  Don’t you think you’re kind of putting your best foot forward a little early?  Seems like you may want to see if a first Venom film can work before you pit symbiotes against one-another.  But as I thought about that more and more, it occurred to me – this better be an R-rated film!  Why?  Let’s discuss some comic nerd stuff.

Carnage is a truly grisly villain.  As the comic series has gone on, his body count is fairly astronomical.  The character’s entire schtick is that he uses his body to turn into gruesome weapons and rip his victims to pieces.  That’s pretty cool.  Put to film, such a character would be genuinely amazing, would they not?  Here’s the problem – this is a Sony film.  They suck at making movies!  The new Spider-Man only turned out so well because it was paired up with Marvel.  Tom Hardy as Venom definitely has an appeal to it.  He’s a great actor who can do dark roles very well.  I see him being able to take on something of an anti-hero like Venom and making it go pretty far.  But in a film with Carnage, here’s what I want – a HARD R-Rating!

Not this soft-R like Deadpool.  As much as I love that film, it played it safe in a lot of ways.  Logan was a step further in the right direction when it comes to gruesome comic book films with mainstream appeal.  But that even cut some corners from going too grotesque.  But no more of that with Venom!  If this film is going to have one of the most violent comic book villains of all time, then it better ramp up the death, blood, and gore to 11.  I want to see Venom beating the shit out of Carnage in a place filled with the mutilated bodies of his victims.  I mean, how can you possibly market a film with these two characters in it as a family picture?!

In an age where comic book films are FINALLY willing to take some risks that majorly pay off, this is the film where I want to see it ramped up to 11.  Hopefully that’s how they got Tom Hardy on board.  He is something of a crazy method actor, after all.  That man has brutalized himself in all sorts of ways for his roles.  I dig that kind of crazy.  And for the love of Groj, can we not let Sony get their claws into this film?!  They can only make it worse.  For whatever reason, this studio has a truly amazing record of taking good ideas and shitting all over them.  We’ll never know how that works, but there it is.

Until next time, a quote,

“Just like sardine cans!  Snack time!” – Carnage, Spider-Man: The Animated Series

Peace out,

Maverick

Lucien’s Review: Spider-Man: Homecoming

I’m about to get very unpopular right now.  I hated the first three Spider-Man films.  Why?  Because I hate Tobey MaGuire.  I’m sure he is a perfectly nice person, and I have seen movies with him in it that I like, such as Pleasantville.  However, I do not like him as an actor.  How he was able to carry the role in the aforementioned film is beyond me.  Maybe they got that one director in a million.  I don’t know.  Whatever the case, he was insufferable as Spider-Man.  There is the meme about the many faces of Tobey Maguire, well, that’s all I can think of when I watch those movies.  Andrew Garfield was a little better in the role.  At least in the first film he starred as.  I at least felt like he was trying to fit into the role of the character.  Still, he ended up being destroyed by studio interference.  Though, that’s what happened to the original films too.  Huh, there might be a clue about Sony and their vicegrip on this franchise in there somewhere.

But for the first time in, roughly 15 years, I actually feel like I have watched a Spider-Man movie.  It’s finally happened!  I knew it would be after I saw this actor in the role in Civil War.  Tom Holland was perfectly cast.  He looks the part.  He sounds the part.  Everything about this kid just screams Spider-Man.  I really liked this movie.  Is it perfect?  Hell no.  But as far as doing justice to this character and making a good Spider-Man film, this movie is the closest we have ever gotten, and part of me is worried that Sony is just going to fuck that up down the road.  Let’s talk about it.

The plot picks up 7 months after the events in Civil War, where Parker is back in school and trying to balance being a superhero and desperately hoping to be involved in something larger by Stark once-again.  Meanwhile, there is a villain who actually has a pretty neat motivation secretly working toward a goal, and Parker is the only one who can stop him.  It’s pretty standard superhero fare, but man is it all in the execution.

Once-again, Tom Holland rocks this role.  I feel like I am legit watching Spider-Man live up to his namesake!  The acting is great all-around.  Holland rocks the main role.  His buddy Ned is pretty fun too.  He’s funny.  He plays the sidekick role really well.  Plus, you actually believe that him and Parker are friends.  Their friendship all comes through due to the chemistry of these actors.  Next up we have Aunt May, who is featured much less than I thought in this movie.  They also gave her glasses for some odd reason.  But you actually feel her compassion for Parker.  The love interest in the film is actually a pretty nice character.  I don’t care that they changed her ethnicity.  It’s all good to me.  I liked her character.

A role that stood out to me was the villain.  Everyone knows it’s the Vulture, so I’m not spoiling anything there.  But he is a pretty neat character.  So many superhero films lately have a problem of boring antagonists.  We actually get to see where this man’s motivations come from.  Is he super deep?  No.  But it’s a hell of a lot deeper than the paper-thin villains I have seen in some of Marvel’s movies.  Plus, he is played by Michael Keaton, who totally owns the role.  He is nefarious and in it for himself, but you can see where he’s coming from.  And I like how they were able to get past the whole “we’re not so different” angle in this film in a pretty clever way.

But there is one performance that just bugs me – Mary Jane.  Do I care that they also changed her ethnicity?  No.  Not even a little.  What I do care about is the fact that they made her into the biggest garden-variety SJW ever!  She’s annoying.  She’s preachy.  I half-expected her to talk about her Tumblr page, it’s that bad.  How Peter is going to get past that and want to be with her in future films is beyond me.  This character was downright insufferable.  Is this a nitpick?  Absolutely.  It didn’t hurt my enjoyment of the film overall.  See, I can handle SJW pandering so long as it’s in a good movie.  But whoever directs this next, can we PLEASE make this character a little more likeable?

Tony Stark also comes back, and I was a little disappointed in this.  Robert Downey Jr was fine and all, but I was kind of thinking that Stark was going to go at this from the angle of him trying to become a father-figure in Peter’s life.  They framed it that way in the trailers.  There is one exceptionally-good moment where he is castigating Parker, but that’s pretty much it.

Finally, I have to talk about something which is a minor spoiler.  Spider-Man unlocks an AI program in the suit Stark left him, and she is entirely too much fun.  The scenes where her and Parker are arguing about stuff are just great.  Desperately hoping this character becomes a mainstay of the series.

The effects and action in this movie are pretty good, but since this film is really character-driven, I honestly don’t have much to say about that.  Vulture was a pretty good villain.  Seeing Spidey doing his thing is pretty awesome.

The final thoughts on this movie is that it’s loads of fun.  It’s not perfect.  It’s being held back by the fact that it has some scenes that drag and an SJW-tastic character who was grinding my gears every time her preachy ass was on screen.  But overall this was loads of fun, and it is my favorite Spider-Man film to date.  But here is where I am worrying.  Sony has said that after the last Avengers film, they are cutting ties to Disney’s Marvel.  Please don’t.  These people know what’s what!  Having their input has gotten you so much farther.  Let them stay involved.  Granted, Kevin Feige is leaving the MCU after this, which is when I plan on tuning out, so maybe it’s all for the best.  We’ll see what happens, but at least I finally got ONE good Spider-Man film that makes me believe this character is Spider-Man.

Final Verdict
8 out of 10

Peace out,

Maverick

Lucien’s First Take: Black Panther Teaser Trailer

When I did my review of Captain America: Civil War, I said that I honestly didn’t really know where they could go with a Black Panther film.  He is my second-favorite character in the film, due entirely on the incredible performance of the actor.  That man sells that role.  Marvel’s films have done some damn good casting lately.  Robert Downy Jr as Tony Stark, Benedict Cumberbatch as Doctor Strange, the kid as the new Spider-Man, and now Chadwick Boseman as Black Panther.  Perfect casting.  But my perspective in my review still stands.  He’s the Black Panther, and a ruler of a powerful nation that is hidden away.  Where can they possibly go with that?  It’s a little late to get to it, but the teaser was released.  Let’s see.

We start off getting to hear Martin Freeman’s terrible American accent.  No joke, they should have just gotten Hugh Laurie to do the role.  He probably would have been more fun too.  Then we have Andy Serkis coming back from his role in Avengers: The Waste of James Spader’s Talent.  He’s saying that Wakanda isn’t nearly the backwater tribal society that people think.  Okay, liking it.  Some legit nice backdrops.  There is a cool juxtaposition between this waterfall scenery the Panther is at with the tech airplane he is leaving on.  Is the idea of the ancient and the modern clashing gonna come into play?  That could be cool.

The montage that follows seems to paint the film more as a story about Wakanda itself than the titular character.  I kinda like that.  I can’t honestly think of a Marvel film that has done that so far.  Making a movie about a nation and the struggles of being in the modern world is a neat angle that I can see either being done very well or fucked up so horribly bad.

Which is kind of my thought overall of this teaser.  I’m definitely not gonna watch any more trailers for the film.  I genuinely want to be surprised when I see it.  Modern trailers have a bad habit of ruining the entire plot of a film.  I think that’s what’s happened with Spider-Man: Homecoming.  I wouldn’t know.  After I saw how trailer 2 was spoiling the film I stopped it.  Black Panther is either going to be a very interesting dive into a nation and the people in it, or a preachy film about how evil western culture is.  Please don’t let it be that.  Please don’t let this be SJW jerk-fuel.  Marvel has thus far been pretty good about pandering to the forced-diversity crowd.  They want their works to appeal to a mass audience.

But this is new territory.  A piece about a nation and its ruler being unsure where they fit in in the changing world is a tough thing to get right.  I’m going to give this film a chance, though.  Here’s hoping it doesn’t disappoint.

Initial Verdict
7 out of 10

Peace out,

Maverick

The Cinematic Universe Trends Needs to Die

It really does.  It really, really does.  Seems like every film company is trying to find a way to make their own cinematic universe crap, and it is producing some of the stupidest films ever made.  People don’t realize that Marvel really found lightning in a bottle with their cinematic universe.  And part of that was having a fan of the comics who stood his ground on making the films true to the source material that he was adapting.  This concept could have been done so much worse.  There are stories about how Disney and the current head of the MCU have clashed on ideas which shows that if Disney had had their way, it would have been a lot worse.

However, it seems like every film company under the sun wants to have their version of the cinematic universe, and without a single exception they all suck.  Don’t come at me that Wonder Woman is awesome.  I’m sure it is.  Haven’t seen it.  Will Netflix it, someday.  But the DCEU is dead on arrival right now, and unless they have some good films to build on the ground they have FINALLY laid down, then it will still die.  Not unlike how the Ghostbusters remake’s attempt to make a universe are dead.  Or how Universal’s pathetic attempt to form the “Dark Universe” died right out of the gate.  Not to mention the Star Wars new extended universe.  And on that note…

Rogue One sucked!  I finally watched it, and I am going to do a review of it, but here’s my Cliff Notes – it sucked.  I don’t get why people are saying how great it was.  The film was boring.  So unbelievably boring.  Every single character in the film is boring.  Listening to Darth Vader make a stupid pun hurt me inside.  The plot was bad.  The CG faces for characters was bad.  Nothing about it was good.  How so many people could sing its praises is beyond me.  I genuinely believe it is just sad fanboys/girls who so desperately want Star Wars stuff in their lives that they will say that anything is good.  Just like how they sing about how great Episode VII was, when I couldn’t escape the fact that it is virtually a shot-for-shot remake of the original, except with a chick who can’t act and Emo Vader with his retarded-ass lightsaber.  Now they are making more films that no one asked for.  How about they release Star Wars: 1313?!  There’s something I actually wanted to see.

My point in all of this is simple – these cinematic universes need to go.  Marvel is already planning to bring theirs down a few pegs once the Infinity War films are done.  I saw that James Cameron wants to make a cinematic universe for that Avatar films.  Every company under the sun wants to try their hand at exploiting nostalgia by remaking old films in a way where it sets up for a cinematic universe.  These films are almost-exclusively terrible, and they are wasting money that could be put to better use in better films.

After all, we didn’t want a DCEU.  We wanted good DC films!  I don’t want a Dark Universe.  Nobody wanted that.  At all.  Not one person asked for that, and no one is going to miss it now that it is pretty much dead.  Nobody is asking for an Avatar universe.  The SJWs died on the hill that was the Ghostbusters remake.  I am honestly getting bored of the endless sequels.  Remakes might FINALLY be seeing a downturn now that they have become more and more box office poison.  Reboots too.  If only video games could learn a thing or two from this and be done with the endless sequels and give us some new IPs too.  There’s a thought.

Just think of all the talent being snubbed because Hollywood wants to cash in on some other form of nostalgia.  Think of the better films that could have been made if Hollywood had, instead of trying to make another stupid cinematic universe that will NEVER get the traction Marvel did, put their money into some of the smaller projects sitting on their desks?  What unseen vision is out there that will never see the light of day because the corporate dumbfucks who make movies are too busy making cash grabs?

What’s more, part of me is worried that now Hollywood has decided to just abandon the domestic market with films and instead make movies now intended just for foreign audiences.  Red Letter Media made a good point when they talked about the new Mummy film when they said the level of exposition seems like it wasn’t being made for American audiences.  It’s being made for foreign ones.  One of the biggest defenses people have for crappy movies is that they are able to recoup their money overseas.  That may be true.  In which case, will Hollywood just make safe movies for the US that they know will dominate overseas?  Stop caring about the local audiences for easy cash?  If that’s the case, why should I even go to the movies anymore?  I see trailers these days and I honestly don’t care.

As I said, Marvel caught lightning in a bottle.  That isn’t something just anyone can do, and instead of learning that lesson, Hollywood is content to just churn out more of this bait to lure people back in.  And it needs to stop.  The thing that really blows my mind is why Universal actually believed there was a cinematic universe potential in old monster movies?  That seems both short-sighted and desperate.  Is this a sign of how the film industry is doing overall?  Depressing.

Until next time, a quote,

“Hollywood has become hopelessly chained to the bottom line.” – Bruce Campbell

Peace out,

Maverick